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 Stewart Fenwick

18 Chapelhill, Clackmannan, FK10  4JP

Tel: 01259 - 213067        E-mail: StewartFenwick@aol.com

www.stewartfenwick.co.uk                 www.scotcountry.blogspot.com 

 

 

  
CELTIC MUSIC RADIO

 

Stewart Fenwick presents a mix of British and 
American Country Music

 

www.scotcountry.blogspot.com 


Sundays 12 - 14.00hrs

Glasgow on 1530 kHz AM

Dunoon on CR 97.4

www.celticmusicradio.net




October/November 2011

Good to see quite a few homegrown recordings appearing on my CD player.

ROCKIN HORSE, led by George Inglis, has been building up quite a reputation from their Borders base over the past few years. Their music is at the more traditional end of the scene, and original, at the same time.“Barstool Cowboy” features 10 originals from George’s own pen. The title track, is a popular song already on the linedance floors, but there’s also a good tribute to the “Man In Black”. There’s also a catchy beat to the latest single, “Catch A Train”, and “Children Og The Sixties” has quite a nostalgic feel to it. I also enjoyed “Still Think I’m Gonna Win” quite an uptempo number, and the catchy “Smoke Filled Room”, before the album closes with the “Rockabilly Ball”. I really enjoyed this album. Quite a diverse choice of material.

Staying with the homegrown acts, I was very impressed with an album from RAINTOWN. They are Glasgow based duo Paul Bain & Claire McArthur, but have a definate modern Nashville approach to their music.Indeed they have been called “The UK’s Lady Antebellum”, and were given rave reviews from former 3C, now Voice Of Country host Pat Geary, after they appeared at the CMA Global Artist Party in Nashville.“Hope In Troubled Times” is their debut album, which is an all original affair. All the songs have been written by the couple and Greg Friel. They have already achieved quite a bit of success with two radio singles “Picture Of Us” and “Just One Kiss”, “What Matters Most”, “Light The Fuse Up” and  “Loves Got A Hold On You” are particularly catchy upbeat radio friendly songs . “The Road Never Ends” sounds quite loud, but has a good beat, and I liked it at lot. I also liked the title track. They also feature a couple of well crafted ballads,   including the very strong “Falling Backwards” “I Wont Dance Alone”and “The Last Song”. It’s not too often Scots can show their stuff in Music City.
Check them out: www.raintownmusic.com

Crossing the country now, where Edinburgh’s  THE SUNSHINE DELAY have built up quite a following with their “Alt-Country” sound over the past ten years. The Sunshine Delay are Paula McKee, David McKee, Iain Barbour and Brendan O’Brien. This month, they release their second album “Keep It Together” (Wrong Train) , and it features a strong selection of their original material. The album kicks off with the strong tempo-ed “Last Generation To Die” which should do well on radio. Other uptempo numbers are the racey “Leaving Song”, and the catchy “On Our Own”.Of the slower tracks, “Roll Off The Treble”, led by David works well. Other ballads include “Slow Day For Love”, “Angels Share” and “Don’t Have The Heart”.It’s an interesting selection of songs, well produced and performed. They should win many new fans with this collection.    www.sunshinedelay.com

YARD OF ALE are a Fife based folk band, who have been on the scene since 1972. They’ve been a various TV shows, including New Faces & Thingymyjig. The current line up features Colin McKenzie, Alastair McDougald and Peter Gillan. Although a folk band, there’s a lot of Country interest on their new album “Tracks From The Shack”. The 12 track collection, recorded at The Shanty Shack in Aberdour, features songs from Steve Earle (Galway Girl & The Mountain), Buddy Mondlock (Coming Down In The Rain), Steve Goodman (City Of New Orleans) and Rick Nelson (Garden Party). Dave Smith , from Grass Routes (and ex Peacemakers/ Scots Country Comfort) adds pedal steel to “Flower In The Snow”. There’s also a good version of “Wagon Wheel”. And I liked the catchy original “Lay Our Money Down”. Yard Of Ale may be a folk band, but they have a sound that blends into Country quite nicely.   www.yardofale.net 

Heading up our Nashville releases this time, is BLAKE SHELTON, who is no stranger to readers. The current CMA Male Vocalist, and five time nominee for this years awards, who has a string of hits, returns with “Red River Blue” (Hump Head). There’s quite a mix of styles on the album, which kicks off with the first single, and rather sugary “Honey Bee”. In a similar poppy vein is “Get Some”. The main Country tracks are the catchy “Good Ol’ Boys” and “Ready To Roll”, and the familiar themed  “Sunny In Seattle” (Think “Til It Snows in Mexico” or “Ocean Front Property”) Of the softer ballads, “Drink On It” and the title track, which close the album, work quite well. Produced by Scott Hendricks, the album features 11 tracks, and features the writing of the likes of Craig Wiseman, Jon Randell , Jessie Alexander, Chris DuBois, Dallas Davidson. A good listen, if you enjoy current American Country chart music.

TRACE ADKINS has also been part of the Country scene for a number of years, without getting too much recognition over here. But thanks to HumpHead, his latest album, “Proud To Be Here” gets a UK release.The album begins quite mellow, with the title track and songs like “Days Like This” and the traditional Daddy and Daughter themed “Just Fishin’,  before getting into his rather rocky trademark style on “It’s A Women Thing”. The album’s high spot comes in the form of “The Poor Folks”, a really strong Country song, and the album officially closes with a lovely ballad in “Always Gonna Be That Way”. The Deluxe Edition features a further four songs, including a rather unconvincing duet with Kenny Chesney, although the ballad “Semper Fi” is worth listening to the end for. Another strong Nashville album.

Texas born RONNIE DUNN has already had a less than successful shot at solo stardom, but 27 years after he had two singles which didn’t even make the Top 50, he’s back with a self titled album (released here on Humphead), which will surely ensure more success second time around. Of course, in between times, he was one half of the mega duo, Brook & Dunn. (Incidentally Ronnie had slightly more success as a solo artist than Kix Books had back in the 80’s). If you liked the Brook & Dunn sound, then, you’ll enjoy this album. There’s not a big difference in the sound he sends out here, to what we’re used to as a duo. Biggest difference would be the Tex Mex flavoured “How Far Is Waco”, which sounds more like a Raul Malo number, but works well for him here. He kicks off with a rather rocky “Singer In A Country Band”, and there are other quite rocky influences on tracks like “Let The Cowboy Rock”But he can be a romantic as well, with  “Your Kind Of Love”, “Last Love I’m Tryin’”, “I Cant Help Myself” and the closing ballad “Love Owes Me One”. And I quite liked the ballad “Cost Of Livin’”, which we’ll all appreciate the message. It’s a good strong Brook & Dunn sound, just with Ronnie Dunn. Worth a listen.

RICKY SKAGGS had a string of Number one hits back in the 1980’s, but is still one of the hardest working guys around. He’s always been a bluegrass pioneer, and was taking bluegrass mainstream long before The Soggy Bottom Boys. His new album “Country Hits Bluegrass Style” (Skaggs Family Records) revisits his big hits and gives them a slightly new twist. The album kicks off with “Heartbroke”, “Honey Open That Door”, and goes on through “Cajun Moon”, “Highway 40 Blues”, “Uncle Pen” , “Country Boy”, “I Wouldn’t Change You If I Could”, and more. 17 tracks in all.I don’t know what I was expecting, but, if I had one complaint, it’s that these versions aren’t significantly different to the originals. But then, Ricky has always had that Bluegrass vibe in his sound.  It was great to hear all these songs again in one package again.

One of the most Country debuts I’ve enjoyed for a long time comes from a lady from Missouri called TEEA GOANS. Her album “The Way I Remember It” (Crosswind label)  is such a beautiful collection of Country songs sung in the way we grew up to be Country music fans with. There’s no over production, just simple arrangements and a lovely vocal style that’s never stretched . On some tracks she reminded me of a very early Reba, on others, there’s a Lee Ann Womack influence. Whatever way, Teea has a lovely vocal style.She grew up listening to the Opry, and even did her 4th Grade project on the Country music church. Naturally, she found herself in Nashville, and got a job at WSM.  For the past couple of years, she’s presented “Inside The Opry Circle” on the station, giving listeners an Access All areas backstage pass, which aired between the two live Opry shows on Saturday nights. The Opry is certainly in her blood, and with an album like this, it’s only a matter of time before she’s a regular out front stage too. Many of the songs are familiar, like Willie Nelson’s I’m Still Not Over You”, Ernest Tubb’s “Walking The Floor Over You”, Bill Anderson’s “Walk Out Backwards”  and Haggard’s “I Didn’t Mean To Love You”. Others, from the pens of Jim Owen, Angela Kaset and Hank Cochran, and Dan Tyminski dueting on “Made For Lovin’ You”, all add up to a wonderful stone Country album. The lead off single, Letter From God”, is a good strong sentimental ballad, but it just didn’t prepare me for just how much I was going to enjoy this 100% pure Country album. The Opry will always live on as long as youngsters like Teea are around.   www.teeagoans.com

Recent UK visitor SUZY BOGGUSS has been part of the Nashville Country scene since she first charted in 1987. Before that she built up a following playing coffee houses, and a season at Dollywood where she plugged her first self released album. That album, affectionately called “The Dollywood Tape”,  portrayed Suzy as a singer with some folksy influences. For her new album, “American Folk Songbook”, she has went back to her roots, and covererd 17 songs, from quite a broad cross section of the American folk music scene.There are traditional numbers like “Shenendoah”, and “Red River Valley”,  the bluegrassy  “Shady Grove” and “Wayfaring Stranger”  and childhood memories in ”Froggy Went A Courtin’”. She comes more up to date with an interesting version of “Banks Of The Ohio” , and livens things up on “Old Dan Tucker”, and even takes on  the “Rock Island Line”. All the songs are done in a beautiful simple style, and have to say Suzy really suits this style.

When GENE WATSON was over at Easter, he told everyone about his forthcoming duet album with bluegrass queen RHONDA VINCENT.  Well, “You’re Money And My Good Looks” (UM) has arrived, and it certainly was worth the wait. Their voices work well together, in a way that Country music has never heard since Conway & Loretta. The songs mainly feature vocals, line about, in a kinda talkback style, but when they do show their harmonies, on tracks like Cathy Gosdin’s “Til The End”,   they make beautiful music together. I especially liked their version of the catchy “Sweet Thing” written by Nat Stuckey, the slow “Gone For Good”, “You Could Know As Much About A Stranger” and  “It Aint Nothin’ New”,  and they do a really first class job on Hank’s “My Sweet Love Aint Around”  too. The album carries a warning – “Contains REAL Country Music”, and carries a quote from George Jones saying “This Is the REAL DEAL”. I cant argue with that. First class. Next time you come to Scotland Gene, bring Rhonda with you! The album isn’t released here but you can get it from various Country music stores here, and online.

 It’s ten years since George Clooney starred in the southern downhome classic film “OH BROTHER,WHERE ART THOU”. Despite raising little interest from American Country radio, the film’s soundtrack is the biggest selling soundtrack of the 21st Century, with more than nine million albums sold. To mark the 10th Anniversary, a deluxe edition of the album has been released, and it features a whole new CD of material recorded at the time, that didn’t make the original score.The new material includes classics like “You Are My Sunshine” from Alan O’Bryant, “I’ll Fly Away” from The Kossy Sisters and “Keep On The Sunny Side” with The Cox Family.  There’s also recently departed Harley Allen’s version of “In The Jailhouse Now”. Of course, the memories of Soggy Bottom Boys are relived on Disc 1, with songs like “Man Of Constant Sorrow” and Alison Krauss’s haunting “Down To The River To Pray”. I’m not a film buff, but I have watched “Oh Brother” several times. It’s great to relive the music on this deluxe reissue.

ERIC CHURCH has made quite an impact on the American scene since he first appeared on the charts five years ago. He still remains relatively unknown on this side of the Atlantic, however the release of his third album, “Chief” by Humphead Records should help change that. This album lets Church explore his own writing  a bit more than perhaps he has done previously. He has co-written ten of the eleven tracks on the album, produced by his guitarist and dobro player.  Jay Joyce.Church has fallen into Hank Jr’s Rowdy friends mould, and whilst there’s still evidence of that here, he has mellowed on tracks like “Springsteen”, as he tells of how  music brings back memories, or the rather slower  “Like Jesus Does”. He also performs a rather sentimental family number on “Homeboy”. “Jack Daniels” isn’t too rocky, but does come over as a hangover song. Then there is “Hungover And Hard Up”, which some fans may associate themselves with. “Country Music Jesus” did catch my ear. It is a bit rowdy, but, by the same token has some catchy banjo in there too.Eric Church certainly isn’t run of the mill Music City. His music certainly has an edge.  He wont appeal to all tastes, but if you enjoy Waylon and Hank Jr, you should check him out.

As far as living legends go, 74 year old MERLE HAGGARD is one of Country’s greatest. Since he first charted 48 years ago, the Bakersfield boy has continued to create and impress with his music. His latest album, “Working In Tennessee”, released October 3rd on Vanguard Records, will be one of the year’s most iconic releases. The album, his second for Vanguard, features many self penned Hag originals, with a reworking of “Working Man Blues” with his son Ben, and Willie Nelson. There’s also two Johnny Cash covers, a catchy “Cocaine Blues” and an authentic “Jackson”, with wife Teresa. Throughout the years, Merle has used his songs to speak out against the establishment, and he’s not giving up now. “What I Hate” is aimed at everyone from politicians to road construction workers.  He also puts himself in the position of being laid off work after years of employment in “Under The Bridge”. His relationship with Nashville has never been straightforward, so his opening swing number, “Working In Tennessee”, running just over 2 minutes long, perhaps takes a swipe at the Music City, with lines like “Wound Up working at Opryland!” “Sometimes I Dream” , co-written with his daughter, Jenessa, is a particularly catchy number, which I enjoyed. I enjoyed the whole album. It’s great to hear The Hag still sounding so good!

LUKE BRYANT is another name who has made it in America, without much impact here, and again Humphead aim to change that with the release of “Tailgates & Tanlines”. The son of a peanut farmer burst onto the scene in 2007, and has a string of hits from his first two albums, including “Country Man”, “All My Friends Say” and “Doin’ My Thing”. This is his third album, and kicks off with the rather sexist and immature,  “Country Girl (Shake It For Me)”. Despite being a huge American hit, it doesn’t impress this Country boy! It just sounds like a beach party number to me. The theme carries on, with “Drunk On Me” featuring lines like “ you’re a 9.9”, “that sort of thing makes a man go mmm hmmm”. Really clever words!The album does improve thankfully. I did quite like the uptempo “I Don’t Want This Night To End” and the midtempo “Tailgate Blues”. It’s modern Country music. It may get lots of American radio play, but I cant see Luke making much impact here.

Austin based RITA HOSKING received her rave reviews for her last album, ”Come Sunrise”, and won the Best Country Album Vox Pop at the 2010 Independent Music Awards. Now she’s back with an all original set of songs on her new album “Burn” released to coincide with a UK tour that brings her to Glasgow’s Mono Café Bar on Wednesday October 12th. The album kicks off with the lyrics, “ I wanna write you a pretty love song, like Van Morrison or Johnny and June”. I’m not sure if she manages that, but she does deliver a good set of songs. “When Miners Sang” tells of the coal towns, whilst “Ballad For The Gulf Of Mexico” tells of the wealth from the oil industry. She reaches into rural America on “Indian Giver” and “Coytote” “Dishes” is one of the most uptempo numbers on the album, although I never thought I’d hear a song inspired by sinkful’s of dirty plates.. Rita has a variety of subjects, and tells her tales well. She’s well worth checking out !.

KRISTI KAYLIN is pure Texas Country magic. Her Single “My Heart Has Swinging Doors” was a great introduction to her. Now the album, “It’s Not Over” is even better. With Texas swing numbers like “Cowboys Love Texas” , “I Just Get Leavin”, “When You Said I Do” and Country ballads like “Short Memory” and “Love Me Like The Whiskey” and “Everytime I Think It’s Over”, Kristi really shows just how good Texas music is these days. She comes over as a Connie Smith, Barbara Mandrell, or even early Reba in her vocal style.The Western swing numbers are certainly her biggest asset. She performs them with fun and conviction,I loved this album. http://www.kristikalyn.com/ 

I had the pleasure of meeting Austin based BARBARA NESBITT during her recent Scottish tour. The Georgia native got to the Texas musical capital via Virginia and San Diego, where she really honed her craft, and, indeed recorded her album, “The Bees”. Barbara wrote all but one of the 13 tracks, the exception being a beautiful version of “Like Strangers”, which works well with her vocal style. The album kicks off with the invitation to “Come To Find Out”. The track, which many a Nashville based songstress would be interested in, and certainly entices the listener into hearing more. “Losin’ Time” is a good uptempo number, whilst “Good For Something”, features some lovely steel from Doug Pettibone.  “Where You Go” has a nice banjo intro. I also liked the heartfelt, “Message To You” and “When Summer Is Over”. Whilst certainly a songwriters album, Barbara has a good strong voice, with a hint of huskiness, which emphasises the songs nicely. Hopefully, it wont be too long before she’s back over this side of the Atlantic.    www.barbaranesbitt.com

GEORGE STRAIT recently marked the 30th Anniversary of his first album release, with the release of his 39th studio album. “Here For A Good Time” is released here on the Humphead label. After all that time, he knows what his audience wants, and knows how to deliver. Yet, his sound has never sound tired. George continues his writing, which he has been developing over recent albums. He has co-written seven of the eleven tracks with son Bubba, and longtime writer friend Dean Dillon. The tracks include the catchy title track, the slower soul searching “Drinkin’ Man”, and “Three Nails & A Cross”, which does sound rather inspired by Randy Travis’ “Three Wooden Crosses”.The strongest track to my ears, the old Delbert  McClinton number, “Lone Star Blues”, which George really brings some energy to. He also covers the slow “A Showman’s Life”, written by Jesse Winchester, and features Faith Hill on harmony vocals.The album closes with a rather retrospective look back at his career, and although he does claim “I’m Not Through By Any Means”, this song really sounds like his swansong. If he were to retire tomorrow, it would be a fitting farewell.I don’t think it will be. I think George Strait could go on forever.

Only one  Canadian release this time around, which comes from CATHERINE MACLELLAN. I wasn’t familiar with Catherine, until I had listened through her album, “Silhouette” (True North Records),  and reached the second last track  It was a really slowed down version of “Snowbird”, a huge hit, of course, for Anne Murray, written by the late Gene MacLellan- Catherine’s father. Although a very different version to the original, she made the song her own. Catherine has certainly followed her father’s footsteps by going into songwriting. The songs on the album, are both haunting and exhilarating. I think “Same Way Again” is probably mny favourite. It has a simple folksy feel to it.“Old Tin Can” has a quaint bluesy influence, and the opening track, “Stealin” has a good beat to it. “Eastern Girl”, which could be autobiographical, and self explanetary. The album was recorded in a secluded cabin in Prince Edward Island.  The album was recorded in a secluded cabin in Prince Edward Island. She’ll be in Glasgow at Bar Brel on 18th November. www.CatherineMacLellan.com


The thriving Irish scene has constantly brought us new talent, and the latest is 25 year old Ballymonet Country Boy,
ALASTAIR COYLES, whose album “If Teardrops Were Pennies” has recently hit the airwaves.And ideal for radio play it is. A good clean recording, which makes even the well covered classics sound refreshed. Yes, there are a few over recorded numbers, like “Coat Of Many Colours” and “One Day At A Time”, and a couple of Irish numbers like “Roslare Harbour” and “Connermara Marble Ring”, but Alastair does them really well. He pays tribute to one of his heroes in “Big Tom Is Still The King”, and features a really strong version of “Far Side Bank Of Jordan”. He also covers songs by Irish writers Henry McMahon and Jimmy Buckley. Despite lacking in originality, Alastair has recorded a really enjoyable album.www. Alastaircoyles.co.uk

As far as Irish musical legends go, you have to admire MARGO O’DONNELL. Who knows, maybe if Margo hadn’t already been an established artist, her young brother may never have got his break. She’s made many friends over the years, and features some of them on a new “Margo & Friends” collection. (Arran label). The recordings are a collections of duets that Margo has recorded over the years, with the likes of Dolly Parton, Maura O’Connell, Joe McShane, Isla Grant, Philomena Begley, Larry Cunningham, John McNichol, and, of course, Daniel. Margo has also released a single, “The Missing Mary Boyle”, about a six year old girl, who Margo had known, who disappeared in Donegal 34 years ago- Ireland’s longest missing person case.     www.margoodobnnell.com

SOCIETY are a West Sussex based trio of Country rockers, heavily influenced by the Eagles West Coast sound, who have just released their second album, “A Crooked Mile”. Matt Wise, Ben Lancaster and F.Scott Kenny formed the group in 2004, and wanted the album to reflect all things West Coast America, and they have quite definitely succeeded, with an album of original songs. From the opening harmonica on “Wheels A Turning”, through the spring in your step “Roll Home Sweetheart”, the slower “Davey”, to the heavier “Martyr’s Avenue”, which closes the album , their three part harmonies really come over well. I really enjoyed the album, West Coast music from West Sussex.  It works well.    www.myspace.com/societymusic

Finally, a couple of Irish released singles, from girls with Glasgow connections. LISA McHUGH has really established herself in the past year with her “Old Fashioned Girl” album. Such is her popularity, she has moved from Glasgow to Donegal, and is now billed as “Ireland’s Sweetheart Of Country Music”. Her new single is “Court Of Love”, a bright and breezy number, written by Canadian Mike O’Reilly, and previously covered by Rhonda Vincent. She does a great job on it. 

Meanwhile another Donegal lass, who went to college in Glasgow, is
JACQUI SHARKEY. Jacqui’s debut album “A New Dawn” has really caught fans attention, and she has now released a self penned single, “If I Had You”. Jacqui has a lovely deep vocal style, kinda like Anne Murray, and this lovely song is the type of number you would hear Anne singing. Nice job.

Two girls, with similar journeys, and very different styles, both both coming out winners. Both are available through I-Tunes etc.

 



                  August/September 2011                         

Summer's normally quite quiet on the CD release schedule, but not this year. We have loads of new releases to tell 
you about this time around.

One of my favourite debut albums to come out of Nashville in recent years was from ASHTON SHEPHERD. She had a voice that was just pure Country, and I longed for the day I’d hear more from her. Well, three long years later, “Where Country Grows” arrives (released here on Humphead), and it’s great to hear her Country voice again. I cannot fault Ashton on this outing. She is good. Her voice is pure Country, and much stronger than a lot of the Nashville pop princesses, who get all the hype. The title track is a real powerful anthem, sung with such passion, and “More Cows Than People”, “Beer On A Boat”  continue the uptempo beat. A bit more relaxed are “While It Aint Rainin’” and “Rory’s Radio”, which are real homespun Country gems. Amongst the ballads is one called “I’m Just A Woman”. Her vocals on this number, showing such emotion and vulnerability, make her the female George Jones! Yes, she is that good! Without doubt, Ashton Shepherd is the most Country voice on a major Nashville label  today.

Reba McEntire comes from a very musical family. Her brother Pake had a couple of big label album releases and sister Susie has made quite a name for herself too. SUSIE McENTIRE performed as a backing singer for Reba in the early days,  but went off in the Christian music route, performing at rodeo’s throughout Oklahoma and Texas. She was more recently seen hosting Rural TV’s Cowboy Church programme. She has a vocal style, not unlike Reba, but with her own particular twist. Her latest album, “Passages” features 10 tracks, which are not all Country, but then I wouldn’t say Reba was either. The album opens with Janis Ian’s “At Seventeen”, which has quite a contemporary feel to it. There’s also a cover of Van Morrison’s “ Someone Like You”, and a gorgeous version of  Amy Grant’s “Carry You”. She does use Country writers, with Ronnie Dunn & Craig Wiseman’s “Believe”,  and Steve Azar & Rafe Van Hoy contributing the rather poppy “Big Blue Sky”. I don’t want to alienate Reba’s fans, but since I first  saw Suzie almost 30 years ago, I’ve thought that Susie has had an equally good, if not better vocal style than her sister.

TOM T HALL is something of a Country music institution. He first signed with Mercury Records back in 1967, and has racked up over 50 chart hits, including 7 Number one's. Known as The Storyteller, he officially retired from recording in the late 90's, but continued to work on bluegrass projects. A few years back, Tom T gave his wife, Miss Dixie, a mock up CD as a Christmas present. It was titled “Tom T Hall sings Miss Dixie”, and signalled Tom T's intention to record an album of songs, they had written together. Now the album is released here in the UK (Drimfire Records), and what a wonderful collection it is. It's still Tom T Hall, and his story songs, but with fabulous bluegrass arrangements. I just cannot pick favourites, they're all good. “I'm A Coal Mining Man” and “Leaving Baker County” are the strongest bluegrass arrangements, but still unmistakably Tom T Hall. Jimmy Martin joins in on “Jimmy Martin's Life Story”, whilst Earl Scruggs joins in on “One Of Those Days (When I Miss Lester Flatt). It's a superb album, one that I'm really enjoying listening to.

It’s a while since we’ve heard from Canadian family group, THE RANKIN FAMILY.  John Morris, who was the band’s musical director, died in a car crash ten years ago, and although the individual members carried on their individual musical ambitions at their own pace, it wasn’t until they did a reunion tour across Canada in 2007 that the flame was rekindled. “These Are The Moments” was released in Canada in 2009, but only now been released in the UK on Western Songs. Their harmonies are such a joy to hear once more.  The album features six brand new songs, alongside a couple of remixes of popular songs like “Fare Thee Well Love”, the bop along “You Feel The Same Way Too” and the spine chilling “Rise Again”.But of the new songs, the title track, comes from the opening line off the second track , “Straight Into Love”, a great song written by Jimmy Rankin and Patricia Conroy, with Cookie in lead vocals.But my favourite cut has to be “Never Alone”, written by Victoria Shaw , Sarah Buxton & Gary Burr, and performed by Heather & Cookie. Heather also gets in on the writing act, with the soft “I Would”.The other track which stands out for me is Raylene’s “Hopeville”. I’ve always loved The Rankins. This album  has hardly been off the CD player since it arrived. If you like your Country, with just a little Celtic influence, then this is a must for you!

TERRI CLARK has been one of Canada’s most successful Country girl singers, since she graduated from Tootsie’s Bar on Nashville’s Lower Broadway to the charts, and numerous high level awards like CCMA Entertainer of The Year. Her latest album, “Roots & Wings” was released here by Humphead Records at the end of July. She has co-written most of the tracks on the album, with folks like Victoria Banks (more of which in a moment), Tia Sillers, Deric Ruttan , Kristen Hall and Tom Shapiro, and produced the album herself. Terri has a strong modern sound, without losing the real Country feel. The songs are about woman, whether she’s on a mission, breaking up, being single, or in a relationship. She has always had a real gutsy beat to her songs. I particularly enjoyed her biographical “Northern Girl”, and was amazing surprised by the old time Country “Lonesome’s Last Call”- probably the most Country track Terri’s ever recorded. It’s a wonderful cut. I also enjoyed the simplicity of “Beautiful And Broken” , “Flowers In Stone” and “Smile”. Then she rocks it up on “We’re Here For A Good Time”, which she describes as “a 70’s Rock classic by Canadian band, Trooper, which I country’d it up a bit”. It’s certainly a bit different, but works for Terri. It probably wouldn’t suit everyone, but Terri pulls it off. Terri Clark is an immense talent that hasn’t been given too many releases over here. Appreciate this one.

  Canada appears to have an abundance of Country girl singers. Following Terri Clark to Nashville is VICTORIA BANKS, who, as well as a singer, is also establishing herself as a successful writer. She’s written tracks for Terri Clark’s latest album, and Johnny Reid, amongst others. “Never Be The Same” is her second album, (OnRamp/EMI Canada). And, as you’d expect, she’s written, or co-written all 11 tracks, and, like Terri, produced the project herself. She’s  certainly a force to be reckoned with. Victoria’s music is certainly on the modern side of Country. Many of the songs, like “Come On “, “I’m Gone” and “Barefoot Girl” are up-tempo radio friendly numbers. She can also slow things down, like on “Somebody Does” and “Remember That”. I really enjoyed “Jackson”, which is probably the strongest Country number, and there’s a lovely folksy feel to “The Other Side”. Victoria is the current Canadian Country Music Association Female Vocalist. Look out for her repeating that success next month.

THE ROYS, Lee and Elaine, are one of the freshest sounding acts coming out of America at present. Roughstock named them “one to watch” in 2011. Their new album “Lonesome Whistle” (Rural Rythym) is a beautiful CD to listen to. Several of tracks have a fast paced bluegrass sound, especially “Nothing I Can Do About It Now”, “Give A Ride To The Devil”, “My Oh My, How Time Flies” and the title track, “Lonesome Whistle”. There’s also a good catchy beat to “Trailblazer”, and also on “Coal Minin’ Man”, which opens the album, Other tracks have a more laid back homestead sound, like that on “That’s What Makes It Love”, which features Ricky Skaggs & The Whites., “Everything I Ever Wanted”  and “I Wonder What God’s Thinking”. The brother and sister duo share the vocals, and are both equally as strong, and the harmonies are wonderful. This album was a joy to listen to.

THE BRACKEN BROTHERS from Northern Ireland have made their reputation playing Buck Owens’ hit songs. But their new album, “After My Own Heart” is full of original material written by Edward and George. That’s not to say that they’ve abandoned Buck. No way ! They still have that Bakersfield sound, especially on “Forever Aint As Long As It Used To Be”, “Exactly The Girl I’m Looking For” , and of course, “You Cant Beat A Bit Of Buck”. Another uptempo number, which works well is “The Guy Who Has Everything” They slow it down on several tracks, like “Here With Me”, “Gone Past Caring” and “First Love”. A good listen  from the boys who were here in Scotland back in May. Lets hope it’s not too long before they’re back. Available by calling 07732154772.

JODY GALLAGHER grew up in Killybegs, a fishing port in Donegal, the second of seven children. He has a long and varied musical career having played for over 20  years in covers bands, but has only recently taken to songwriting. His first songs were comedy  numbers, which caught the attention of Conan Gallen, but he then progressed into writing Country blues. The result is “Crazy Mixed Up World”, a really nice album featuring 11 of his own songs. His style does have similarities with Guy Clark and JJ Cale amongst others. He has that sort of “lived in“ vocal style, which really adds authenticity to his songs. Two of them have already featured here have already been released by Brendan Quinn, including the catchy “Day’s Gonna Come”. I enjoyed the title track, as well as the catchy “Don’t Have Time Today”, although the whole album was an enjoyable listen.     www.jodysongs.com

One of the brightest new stars on the Irish scene is NATHAN CARTER. Nathan’s new album. “Time Of My Life” (Sharpe Music) covers quite a variety of styles, and makes for a really pleasant listen. He has a good up-tempo selection of Country covers, including a lively “Delta Dawn” , and a good paced cover of The Nitty Gritty Dirt Band’s “Fishing In The Dark”. He does slow down for “Lay Down Beside Me”, a hit, of course, for Don Williams. He also produces his trump card, by getting Charlie Landsborough to guest on the album, on a duet of Charlie’s “Forever Friend”. There’s a few Irish tracks, including “The Rainbow In Glenfarne”, about a popular venue, and the catchy “One For The Road”, both penned by John Farry. There’s also some pop fair, with Perter Sarsted’s “Where Do You Go To My Lovely”. I really enjoyed this album , from a young man, we’ll no doubt be hearing more from.   www,nathancartermusic.co.uk

PATRICK FEENEY is another of Ireland’s rising stars, and has just released his new album “Good Thing Going Down”. (CMR Records) The title track was written by Scotsman David MacLeod, (Dad of Slange Ava’s Keith), and gets the 16 track collection off to a great start.  He also covers Charlie Landsborough’s “All Passing Through” and  Jody Gallagher’s “Days Gone Come”, as well as Irish originals “Firelight” and “Love At First Sight”. He also covers some classics including “Bonaparte’s Retreat”, “Walk Thru This World With Me”, “She’s In Love With A Rodeo Man”, “Behind Closed Doors” and “Eleven Roses”. I really enjoyed his cover of Mac McAnally’s “Simple Life” , which is certainly influenced by the The Chieftains version. It’s a good entertaining album. Well worth a listen, if you like that Irish sound.

North Carolinian BYRON HILL is one of Nashville’s most accomplished songwriters currently, and he gives the original versions of some of the hits he’s written on the 14 track “Radio Songs” CD (BHP Recordings) You’ll find songs that Byron has written for the likes of George Strait, Johnny Lee, Ray Charles, Anne Murray and Tracy Byrd. The songs are given an authentic simple acoustic treatment, just as you would imagine a songwriter demo-ing. The songs, including “Pickin’ Up Strangers”, “Fool Hearted Memory”, “Lifestyles Of The Not So Rich And Famous” and “Nothin’ On But The Radio”, were recorded over a two year period. It’s a nice collection of songs, done just a bit differently from the versions we’re used to.    www.byronhillmusic.com

Last time around, we  reviewed a new “friends” album from THE GRASCALS, who have really taken bluegrass into the mainstream stateside.  They have also released a 7 track CD, “Dance Til Your Stockings Are Hot And Ravelin’”, a tribute to the music of The Andy Griffith TV Show in the USA. Its real old timey authentic bluegrass that’ll really have your feet tappin’  from the “Dooley” and “Stat All Night” to the instrumental “Ol’ Joe Clark”. A great sound, and well worth getting your attention !

It’s over quarter of a century since we first discovered the talents of RANDY TRAVIS. Now HumpHead Records have released an interesting “25th  Anniversary Celebration”. The album is full of guests, many part of the Country music scene, and some names we’re not too well aware of. You’ll find guest spots from Jamey Johnson, Carrie Underwood, Shelby Lynne, John Anderson, Kenny Chesney , Alan Jackson and Don Henley amongst others. Several of the songs, you’ll recognise. Titles like “Forever And Ever Amen”, “Digging Up Bones” and “Is It Still Over”, but there are newer songs too. One of the real star studded anthems is “Didn’t We Shine”, which features George Jones, Connie Smith, Lorrie Morgan, Ray Price , Gene Watson and Joe Stampley. When Randy first came on the scene, he was labelled “New Country”. Time proved him to be one of our music’s greatest traditionalists. And it’s great that he’s still making great Country music today!

CONNIE SMITH is a true evergreen legend in Country music. Despite her only chart topper being back in 1964,  she continues to be as popular as ever, thanks to her loyalty to the Grand Ole Opry, and her regular appearances on husband Marty Stuart’s TV series. “Long Line Of Heartaches” is her first new album for years. It features 12 tracks that can simply be described as Connie Smith. She has a beautiful style of her music, from uptempo numbers like “Pain Of A Broken Heart” and “A Heart Like You”, to slower ballads like “I Don’t Believe That’s How You Feel” and “Blue Heartaches”. And closes the album with the gospel favoured “Take My Hand”. The album has no surprises. It’s Connie Smith , just as you would expect to hear her.

One of the recent visitors to Perth’s Southern Fried Festival was the Southern gospel group, BLIND BOYS OF ALABAMA. Their latest album, “Take The High Road”, teams the long standing group up with an array of Nashville stars. That other long standing group, who began in gospel way back, The Oakridge Boys help get the album started on the title track, whilst Jamey Johnson adds his presence to “Have Thine Own Way, Lord”, and Lee Ann Womack joins in on “I Was A Burden”. Vince Gill, married to gospel singer Amy Grant, joins in on “Can You Give Me A Drink”, and the old standards “I Saw The Light” and “Family Bible” feature Hank Jr and Willie Nelson respectively. But the group don’t need Nashville stars to give their music a Country feel. “I Know A Place”, has both soulful and country echoes. The album closes with the traditional sounding “Last Mile Of The Way”. It’s an interesting album – not all Country, by any means, but a refreshing listen, none the less!

NICK 13 is better known as singer songwriter with Tiger Army, a phsycobilly band. This is his solo debut on Sugar Hill Records. Recorded in Nashville & LA, and has that country feel, which makes it an interesting listen. It features both electric and acoustic guitar arrangements. It is a modern sounding album, with hillbilly overtones. It has a feel good factor throughout the album, even on titles like “Nashville Winter”, and “Gamblers Life”. I really enjoyed tracks like “Nightime Sky” and “Someday”. Well worth a listen.

Virginian DONNA ULISSE has a refreshing modern bluegrass sound, with lots of fiddle & banjo. Twenty years back, Donna appeared on the short lived Atlantic Nashville label, and got great reviews, but the label’s demise, sent Donna into the Country music wilderness for a while.  Whilst she continued to write songs, it was another 16 years before a second album appeared, and now “An Easy Climb”, is her fourth outing. I enjoyed this album from start to finish. “Let It Rain” is a good uptempo number to kick off with. Indeed most of the tracks are quite fast, with “Crawlin’ Back” , “Lonesome For You” and “Hand Me Down Home” particularly strong. Having said that, the title track, slows the album down by track 5. “Her Heart Is A Stone Hard Ground” and “Banks Of Roane River”, are also slower number, but Donna still handles with ease. The closing track, “Sandy Glen”, with it’s simple instrumentation, has a rather folksy feel to it, but again, Donna shines through. I thoroughly enjoyed this album. If you like your music, in the style of Rhonda Vincent and The Whites, be sure to check this lady out.

Now for a couple of home grown releases:

Many performers across the world were inspired by Johnny Cash, and there have been many tribute albums to The Man In Black. If you’re going to do a Cash album, you have to do it good, and , I’m glad to say, Moray based TREVOR JAMES MAIR has done a good job on his Cash collection. I was especially impressed with the project title, “Mair Cash”! The album contains 14 Cash classics, done very authentically, yet fresh for today’s audience. “Give My Love To Rose” kicks off the album, and is followed by “I Still Miss Someone”, “Busted”, “I Got Stripes”, “I Heard That Lonesome Whistle Blow”, and there’s a few gospel numbers to round off the album, including “The Old Account”, “Peace In The Valley” and “In The Garden”. If you want Mair Cash, be sure to check out this album.  www.trevorjames-tjmmusic.com

BUZZARD CREEK are one of the most popular acts on the Central Scotland circuit, and have just brought out a new CD. “Pure Country” is quite an apt title for this 15 track collection, which shows the duo’s versatility on the Country scene, and not just appealing to dancers alone. Here we find some current favourites like “People Are Crazy”, and “Walk The Line Revisited”, but lots of classic oldies too, like “Please Help Me I’m Falling” , “Ramblin’ Fever”, “Margaritaville” and “Louisiana Saturday Night”. There’s a couple of Eagles tunes just for good measure too. Being primarily a gig album, there’s no sleeve notes, but the production is of a good standard, and certainly an album to be picked up by fans.

Although this next release is from Australia, it has good Scottish connections. PRESENT COMPANY are a quartet of musicians who have a lovely blend of bluegrass, folk and alternative music. “Present Company Included” is their second CD release, and came out just in time for their recent Scottish tour, which saw them perform everywhere from Edinburgh to Dunnet Head, and festivals in Guildtown, Beauly and Stornoway. They were previously called “Innes & Present Company”. Innes, is Innes Campbell, who grew up in Stirling, before emigrating down under where he is a doctor by profession. Innes is a Tamworth guitar champion.  He is joined by George Jackson, Tamworth’s Bluegrass Fiddle champion  in 2010 & 2011. George also plays banjo. Markus Karlsen is on acoustic bass , and Michael Patrick is on mandolin & violin, and they all share the vocals. Their sound features some good songs, most notably the opening “Say Something Nice”, and the really Country sounding “You Belong Here”. I also enjoyed “The Light Of Day”, which is a bit more folk-country sounding,  in the same way Lindisfarne blended the genres. There’s some fun stuff too, like “Aliens”, and “The Dark Of The Matinee”, one of the folkier numbers on the album., and a number of instrumentals from the fast paced “Ride The Wild Turkey” and “Lethargy”,  to the relaxing “Lead Me Away”. A good listen, well worth checking out. www.present-company.com.au  

ZOE MUTH is the latest name to come out of the exciting Seattle singer songwriter scene. Her first album impressed me, and her second offering, “Starlight Hotel” is just so good. All ten tracks were written by Zoe, with one being a co-write. Whilst the album is generally a soft acoustic production that suit singer songwriters, the CD kicks off with a lively horns intro to the more Texan influenced “I’ve Been Gone”, which really gets your attention from the word go . “Let’s Just Be Friends For Tonight” is another true Texan honky tonk styled number. There’s lots of steel in “If I Cant Trust You With A Quarter” , that works well with Zoe’s soft vocals. She’s been described as “the spirit of Hank & Merle”, and “Reminiscent of Iris Dement”. That should be enough incentive for Country fans to check her out. Believe me, you wont be disappointed.

A few months back we were impressed by an album from The Secret Sisters, and now I find a group called SWEETBACK SISTERS, who have a knockout album called “Looking For A Fight”, recorded in Brooklyn, New York, although you’d never guess that from the sound. The group are actually a 6 piece outfit, with four guys and two girls. But it’s the gals, Zara Bode and Emily Miller, who lead the vocals, on what is a totally refreshing album of Country and Texas Swing. Whether it’s the pure Country of “I Wont Hurt When I Fall Down From This Barstool” , the melodic “Mystery Of You”, the rockabilly influenced “Rattled”, or the Texas swing of “Texas Bluebonnets”, “Thank You” or “Run Home And Try” , this album really shines I really enjoyed the fast paced “Too Many Experts”, and the western styled “Cowboy Ham And Eggs”. Whilst the album, is largely upbeat happy music, they do prove themselves on slower ballads too, especially on “Don’t Put Her Down, You Help Put Her There” and “Home”. “Looking For A Fight” has a good Country beat, but is probably the least impressive track vocally. Modern Country, it is not. It has a definite nostalgic sound, but one that is totally refreshing.

If you enjoy your bluegrass music with a real old timey authentic sound, then listen out for  , whose album, “Don’t Let Your Deal Go Down” is released August 8th , ahead of a UK tour which kicks off in Scotland from September 22nd. Old Sledge are the real deal, bringing Blue Ridge Mountain music straight from deepest Virginia. They group are Chance McCoy, multiple West Virginia Fiddle Champion, Sabra Guzman, and Luke Richardson. There’s 15 tracks on the album, and not a poor track among them. Lots of Fiddle and banjo, and authentic singing.

THE CARRIVICK SISTERS are twins, Laura & Charlotte from South Devon, and sing and perform beautiful bluegrass music. The 21 year olds have already three CD’s released and their new collection, “From The Fields” is released on August 22nd . The album, recorded at Pure Records Studios, has a really nice sound to it. They girls feature ten original songs , one instrumental and one cover, “Early Early In The Morning” I really liked the relaxing atmosphere this CD creates. Lovely vocals, nice instrumentation, and good songs, all done in a bluegrassy/ folksy feel. They’re at The Edinburgh Folk Club next month. They’ll be worth checking out.     www.thecarrivicksisters.com

ROD PICOTT, is a Nashville based singer-songwriter, originally from South Berwick, Maine. He is a former blue collar worker, and that lifestyle is reflected in his music. His new album, his seventh, is “Welding Burns” and features three songs, co-written by Slaid Cleaves. I particularly liked the sound of “Sheetrock Hanger” and “Your Father’s Tattoo”.

Finally, Country music appears to be huge business across the North Sea, in Norway, even before the likes of Alan Jackson decided to make it his European concert stop. They have several first class artists, and include the very talented KARIN WRIGHT, whose new album is titled “Too Rock’n’Roll For Country”. The press release says that she loves both genres, but certainly proves her Country pedigree with this 15 track collection of original material. The rockin’ title track kicks off the album, and is really catchy and radio friendly, whilst some lovely steel guitar introduces “Dancing On My Mind”. She apparently likens herself to Lucinda Williams, but, to my ears, she’s much more mainstream, and, on tracks like “Lucky Once”, and “Little Drop Of Love”, she’s more influenced by Brenda Lee or Wanda Jackson,  Then there’s a Carlene Carter sound on “Bit By Bit”. She does a few ballads, like “Long Lost Highway” and  “Room For Me” which she does an equally good job on. There’s also just a couple of pop numbers, where the Eurovision influence comes in. But don’t let that put you off. There’s 15 tracks here, and most are really enjoyable. www.karinwright.com 




June/July 2011

JACQUI SHARKEY is based in West Donegal, but grew up in Glasgow, and found her musical footing in the city’s folk scene many years ago. Despite her roots, “A New Dawn” is first album, and has been getting reaction everywhere from Shetland to Argentina. Recorded in Donegal, the album has a lovely easy listening feel to it. She’s a big fan of Mary Chapin Carpenter, and has covered three of her less obvious songs, ”This Shirt”,”Haley Came To Jackson” and “Shut Up and Kiss Me”. She also covers Jessie Colter’s “I’m Not Lisa” , Anne Murray’s “You Needed Me” and Beth Neilsen Chapman’s “Sand & Water”. The first single, and video, from the album, which has been featured on the “Hot Country” TV Show is a beautiful version of “When I Dream”. originally an early hit for Crystal Gayle. “Restless Heart”, one of the strongest cuts on the album, was written by Ian Smith, from Kilmarnock, who also played acoustic guitar on the album.  Ian co-wrote  “Midnight Symphony”  with Jacqui, and she wrote  “Be My Valentine” on her own. The album is really well produced, and Jacqui has  chosen a nice set of songs which really compliment her vocal style, and the simple arrangements. It is hard to pick a favourite, but her version of Tom Kimmel’s “If I Fell From Grace With You”, really clicks for me. If you like the easy listening Anne Murray sound, then you’ll just love Jacqui Sharkey.       www. Jacquisharkey.com

SLANGE AVA are one of the North of Scotland's top groups, who will be hardly recognised in the Central belt.The Caithness quartet features Keith MacLeod , Donny Mathieson, Chris MacIntosh and Jim Davidson, featuring a musical mix of guitars, keyboards, drums and mandolin. Last year they brought out a DVD recorded at the Lyth arts Centre, before they recorded a CD. Now the CD has arrived, and what they've done is to copy the live set in the DVD, but went into the studio to re-record the tracks, so the sound qualityis better, especially for radio play. “From The DVD In Concert” (Pan Records), was recorded in Wick, and features 15 tracks. The material ranges from the uptempo “Why You Been Gone So Long” and “Every Second” to Country classics like Haggard's “Back In Love By Monday”, and Nanci Griffith's “I Wish It Would Rain”. They do a great version of “In The Shadows Of My Mind”, and it's no surprise that their version of “Walking On The Moon” is one of their most popular songs. There's a couple of nifty little mandolin instrumentals which are really catchy. For those who haven't seen the band yet, I'd recommend giving this CD a listen, and spread their popularity beyond the Caithness border. www.panrecords.co.uk    

THE GRASCALS are something different in today’s  Country music. They have taken Bluegrass music to the masses, and brought with them , a totally unique fresh sound to the Nashville scene. Their latest album, “The Grascals & Friends” (Cracker Barrell), features some Country classics, with some classic  artists, given the Grascals bluegrass twist. You’ll find  Brad Paisley doing his bit on Buck’s “Tiger By The Tail”, Tom T.Hall on his “Year Clayton Delaney Died”, Darryl Worley joining the band for “White Lightning”, and Charlie Daniels on the superb “Devil Went Down To Georgia”. I loved the joining of The Grascals with The Oakridge Boys” for “Leaving Louisiana In The Broad Daylight”, but my favourite cut has to be “Pain Of Loving You” with Dolly. Dolly also features on “I Am Strong” , a song inspired by their visit to St.Judes Childrens Hospital. There’s two versions on the song on the album, one with Dolly, and one with the cast, and more, of the album. It’s quite an anthem, and the video has been featured on a few of the Showcase TV shows. It’s a real catchy foot tappin’ album. A great listen. 

LAURA CANTRELL is from Nashville, but lives in New York, where her iconic Radio Thrift Shop had a cult following (that even stretched to Radio Scotland for a summer season a few years back). She is an admirer of the Country women who didn’t fint it as easy to break into the music scene as today’s pop princess’s do.  One of these women would be Kitty Wells, of whom Laura’s latest CD is devoted.  The album is released on the Glasgow based Shoeshine label. The album kicks off with the title track, “ Kitty Wells Dresses”, which Laura co-wrote with Amy Allison, before treating us to some real memories, like “I Dont Claim To Be An Angel”, “Poison In Your Heart”, “I Cant Tell My Heart” and “I Gave My Wedding Dress Away”. Of course, there’s “It Wasn’t God Who Made Honky Tonk Angels” and “Making Believe” too, but my favourite track has to be “One By One”, which is duet with Chuck Mead (of BR 5-49 fame). These songs suit Laura’s lovely vocal style. I really enjoyed the album , a beautiful tribute to Ms Wells, and great to hear Laura on song again.     www.shoeshine.co.uk

JOSH KELLEY is one of the new Country names to look out for in 2011. The Georgia native isn’t new to the music business, however, having already charted 4 Top 100 Pop hits. His music has featured in films, “Life As We Knew It”, “27 Dresses” and “The Ugly Truth”, which featured his actress wife, Katherine Heigl, best known for her part as Izzie in Grey’s Anatomy. He is also the brother of Charles Kelley from the hit group Lady Antebellum. But now Josh is making his mark on Country music , with the release back in April, of  “Georgia Clay” (Hump Head) . The title track has already been a top 20 song for him in the Country charts.  The album features 11 tracks, all written, or co-written by the singer. The songs range from the uptempo “Rainin’ Whiskey”  and “ Aint Letting Go” to the slow closing track, “Dont You Go”. In between, I enjoyed  “Baby Blue Eyes” and “Two Cups Of Coffee”. Josh has a pleasent Country style, which should fit in fine with Nashville today. I’m sure we’ll hear more from him.

It’s 19 years since TIM McGRAW first hit the Country charts, with a song called “Welcome To The Club”, which barely squeezed into the Country Top 50 chart. The next few releases didn’t even make the Top 50. But, how he’s made up for it since then. He’s sold over 40 million album’s, and now Rhino Records have brought us a double CD, titled “Number One Hits” featuring no less than 24 of them , including “I Like it I Love it”, “Just To See You Smile” and his recent US hit “Felt Good On My Lips”. Some of Tim’s best songs have been quite emotional ballads, like “Dont Take The Girl”, “Please Remember Me” and “Live Like You Were Dying”, which are all featured on this collection. There’s also the blockbuster duet, “It’s Your Love”, which features his wife, Faith Hill. This is not the first collection of Tim’s hits, but, nevertheless a good collection , if you need to catch up with his hits.

GEORGE HAMILTON IV needs no introduction to Scottish fans. He has done it all throughout the years. I’ve seen him compere at Wembley, in a theatre setting telling us the Patsy Cline story, in church , and I’ve even seen him perform in prison (both of us just there for the gig, I hasten to add).  But George has always been a pioneer. From starting the first Nashville tour of the stars homes, to the first Country music star to play behind the Iron Curtain, George has always been keen to broaden his horizons. For his latest project, he’s headed for the Heart Of Texas, and teamed up with folks like recent Caithness Festival visitors Justin Trevino and Tony Booth, for what is a really refreshing album. Hearing George accompanied with solid steel guitar licks, and tremendous twin fiddles, is a real transformation. He’s covered some of his old numbers , like “Fort Worth, Dallas Or Houston”,”Truck Driving Man”, and “Abilene”, the latter, given a true Texas Country makeover, with Darrell McCall duet-ing. Justin Trevino, who produced the album, teams up with George on the old Ernest Tubb number “There’s A Little Bit Of Everything In Texas”, and they keep the old ET style, whilst freshening it up a bit. There’s sleevenotes from former Country Music People editor Tony Byworth, and DJ and Songwriter, Bill Mack, who wrote Clinging To A Saving Hand”, which is featured on the album. Great to hear George sounding so good!

Back to Ireland, where SUSAN McCANN  has been at the forefront of Irish Country music, since 1977, and continues to play to loyal audiences live, and through her internet radio show (http:www.susanmccann.com/susans-radio-shows.htm). In recent years, H&H Music have repackaged all her old vinyl albums onto double CD’s. The latest release , “Ireland’s First Lady Of Country Music” features the original album of that name, with her “Tribute To Buck Owens” live concert collection. Songs on the 40 track collection include, “Once a Day”, “NeverEnding Love Affair”, “Noreen Bawn”, “Act Naturally” and “Crying Time”. There’s also tw o instrumentals from her band on the Owens CD. She’a as popular as ever, and her fans will enjoy hearing her sing these songs again.

I’ve heard a lot about THE BENN SISTERS. Carrie & Leanne were born in London to parents from Co.Clare & Fermarnagh. “An Old Memory” is their second album, and is one of my favourites of the year so far. Although one of Ireland’s most popular duo’s, they don’t appear to duet too often. Of the 14 tracks on the album, only two are duets between the sisters. There are other duets, with Carrie dueting with Shaun Loughrey on “Loose Talk” and Leanne teaming up with Nathan Carter on Dean Dillon’s “Still Got A Crush On You”. The album features some good covers, with Allison Moorer’s “I Found A Letter”, Gretchen Wilson’s “When You Think About Cheating” and Loretta’s “Blue Kentucky Girl” standing out. But there’s some good new material too. “We’re On Our Way To Heaven”, one of the girls duets, was written by Lawrence John, is my favourite track  It’s a superb gospel flavoured hand clapping feel good song. I also have to mention Carrie’s stunning version of “Connemara Marble Ring”. It’s a song that’s been recorded many times, but this version is just so beautifully performed. I loved this album. Great stuff!    www. Bennsisters.co.uk

SEAN WILSON has been one of the most popular Irish entertainers for many years. As with many other Irish acts, Sean’s versatility extends beyond Country music, but Country music is certainly a significant part of his repertoire. “These Tender Years” (H&H Music) is his new double album collection, his first new release for four years, and he’s sounding as good as ever. The second CD is an accordian selection, with CD1 being “the country album”, which we’ll concentrate our review on. There is an Irish sentimental feel to the album, as Sean’s fans have come to expect.  You’ll find titles like “Shanagolden”, “It’s Really Nice To Meet Someone From Home”, “Sentimental Irish”, and the less than sentimental “Galway Girl”. “Rosie”, which opens the CD, is the story of a traveller girl who was under privelliged and abused when she went to school. Rosie survived the trauma, and later returned to her childhood school as prinicpal teacher. The title track is dedicated to mum’s everywhere, and was released as a single in the run up to Mothers day earlier this year. There’s also a Country medley, one of Sean’s specialities, featuring “You’re My Best Friend”, “I’ll Need Someone To Hold Me when I Cry” and “I Wouldn’t Want To Live If You Didn’t Love Me”.

When you hear THE FOGHORN TRIO, you know you are listening to real bluegrass music. The trio feature Stephen “Sammy” Lind and Caleb Klauder , who were founding members of the original Foghorn String Band, who have teamed up with Quebec’s Nadine Landry, who certainly leaves her mark on the title track of their new album, “Sud de la Louisiane”. With a lovely mix of banjo, fiddle, mandolin, bass and guitar, and some superb vocal harmonies, the trio take us on a music journey back to the music of Doc Watson, The Carter Family, and even Kitty Wells.   They have made no attempt to modernise any of the songs. This is a truly authentic old time album- a delight to listen to.The trio have recently been touring Ireland, and the South of England.        www.Foghornstringband.com

CIARA SIDINE is a singer songwriter from Dublin, who has just released her debut album “Shadow Road Shining”. It’s an album of haunting atmospheric self written songs, in the American roots tradition. The 12 track album kicks off with the old timey flavoured “Riding Home”, and is a welcoming introduction to the album.  The second track, “Take Me Down” , one of the catchier numbers on the album was released as a single a few months back. Listen out for “The Arms Of Summer”, which is Ciara’s tribute to Johnny Cash.The musicians on the  album have played alongside The Waterboys, REM, Dylan and Van Morrison.

Who remembers DOTTSY? The Texan sweetheart was signed to RCA Records in Nashville, when she toured here with Moe Bandy and Roy Drusky back in the early Eighties. Since then, we’ve not heard much from her, but , she’s back, and is the latest name to appear on the Heart Of Texas label. She hasn’t lost her rich deep, yet warming, vocals, as she revisits some of her old hits, including “I’ll Be Your San Antone Rose”, “Trying To Satisfy You”, “Storms Never Last” and “(After Sweet Memories) Play Born To Lose Again”. She also cover’s Willie’s  “Healing Hands Of Time”. There’s also a duet with producer Justin Trevino on “We Talk About The Weather”, a soft ballad which suits both vocals well. It was great to hear Dottsy again, Some nice memories , and some good new songs too.

After the Caithness Festival, I thought I’d maybe be all Tex’d out, but then I received an album from BLAINE GRAY. He has been billed as “the new face of traditional Country music”, and I have to say that I enjoyed this self titled album (Aaron Ave Records). He co-wrote five of the songs with Bill Carnes , and one on his own, with others from the pens of the likes of Lane Turner, Bobby Randall and George Jones. “The Corner Of Love And Life”, his new single, is one of favourite cuts, but I also liked “Why Baby Why”, which is not the George Jones classic, but nevertheless, a good uptempo catchy number. The Jones cover is “I’m Ragged But I’m Right”, on which he does a good job. “Life Without You”, has a bit of a Haggard feel to it, and there’s was a bit of a Strait sound to “Urban Cowboy Man”, The first single “No More Cryin’” is featured in a forthcoming movie, “The Ex-Terminatoirs”, a romantic comedy, in which Blaine plays an ex to Heather Graham. I’m sure, whether it’s music or movies, we’ll hear a lot more of Blaine Gray , and I hope it’s through his music.   www.Blainegray.com 

It’s a long time since I heard anything from DES HORSFALL, one of England’s consistant Country rockers.  Together with his band, KUSCHTY RYE,  Des has come up with a beautifully packaged album called “The Good Gentleman’s Tonic” (Valve Analogue Recordings) , as a tribute to Ronnie Lane (of The Faces fame), and especially the period in the 70’s when Lane was working with the group, Slim Chance. This isn’t an all out Country album, but there are Country influences blending in with folk, blues and pop. Most of the songs are Horsfall originals, with “Nothing New”, with it’s uptempo Cajun beat being the stand out track for me, although I also liked “Little Girl” and the traditional “Careless Love”, which opened the album. It does have more of a 70’s pop feel , but a good listen all the same. The album is packaged with a booklet, and even has a little refreshment included.

 





February/March 2011 


MARTY STUART was one of the big attractions at the recent Celtic Connections Festival in Glasgow. Since starting out singing gospel as a child, a bluegrass stint with Lester Flatt in the ‘70s, six years with Johnny Cash in the ‘80s, the “Hillbilly Rock” hits of the ‘90s, and his recent Rural TV series, the Grand Ole Opry star, country music memorabilia preservationist, stylist, designer, photographer, songwriter, all around renaissance man, and (first of all, perhaps), leader of the extraordinary, versatile touring and recording band The Fabulous Superlatives, Marty has shown a showman’s zest for every conceivable flavor of country music.  Not to mention, a missionary’s zeal for bringing the importance of the music and its themes home to long-time fans and newcomers alike.  “What inspires me now, is traditional country music”, Marty says, “It’s the music I most cherish, the culture in which I was raised.  It’s the bedrock upon which the empire of country music is built, the empowering force that provides this genre with lasting credibility. It’s beyond trends and it’s timeless.  With all that being said, I found traditional country music to be on the verge of extinction.  It’s too precious to let slip away. I wanted to attempt to write a new chapter.”
That new chapter is Ghost Train (The Studio B Sessions) (Sugar Hill label),  his new album, which includes such unmitigated country staples as the male-female duet ("I Run to You," written and sung with his wife, Connie Smith), the dramatic recitation ("Porter Wagoner's Grave," a story song written by Stuart that raises the ghost of the late, great country icon, whose final album Marty produced), the chugging, bluesy—and spooky— fellow Mississippian Jimmie Rodgers-like train song "Ghost Train Four-Oh-Ten,"  and such steel guitar driven, hardcore heartbreak ballads such as "A World Without You," and "Drifting Apart." Marty wrote eight of the tracks, on his own, two with Connie, one with steel guitarist Ralph Mooney , and one with Johnny Cash – the haunting “Hangman”, which serves as a tasteful tribute, done in an eerie Cash style. There’s a catchy instrumental in “Hummingbird”, and a great cover of Warner Mack’s classic “Bridge Washed Out”. If you missed his CC gig at The Arches, don’t miss out of “Ghost Train”. This IS Country Music!

TOM T HALL is a popular Country music figure, but his material hasn’t always been the easiest to find in the shops.  That all changes, with the release of his “50 Greatest Hits” (HumpHead). It’s a 2CD collection, featuring all of his big hits like “Ravishing Ruby”, “I Love”, “Faster Horses”, “Ballad Of Forty Dollars”, and, of course, “Old Dogs Children & Watermelon Wine”. It’s a superb collection from the guy they call “The Storyteller”. He recorded 35 albums, in a career that stretches back to 1967. And he is still recording today. He’s notched up 54 chart hits, including 7 Number one’s, all of which are included in this collection. There isn’t much more to say about this collection. The music speaks for itself.

TRACE ADKINS has been one of Nashville’s consistent hit makers since first hitting the charts in 1996. In that time, he has recorded 8 studio albums, and hit the top of the charts three times. Now Humphead have released “The Definitive Greatest Hits”, which is just that- 28 tracks from his 14 year chart career.You’ll recognise titles like “Honky Tonk Badonkadonk”, “Chrome”, “Big Time”, “Every Light In The House Is On” and my favourite “I Left Something Turned On At Home”. Recently, Trace’s music has sounded a bit on the heavy side for me, but this collection does show Trace’s softer side, with songs like “Dont Lie”, and “Help Me Understand”. It’s a good collection. He’s had quite a variety of styles in his career, and they show up in this collection. Well worth a listen.

The Humphead label have also released a couple of new “2on1” CD’s featuring old albums re-issued as a 2CD package. The SUZY BOGGUSS package is especially welcome. It features her first two albums for Capitol Nashville. “Somewhere Between” was a wonderful debut album (on a major label- she did have an earlier independent recording). The title track has probably become more of a standard than Haggard’s original. Her version of “I Wanna Be A Cowboy’s Sweetheart” was brilliant too. In a similar vein, there’s “I’m At Home On The Range”, and Hank’s “My Sweet Love Ain’t Around”. There’s Suzy’s version of “Night Rider’s Lament”, later recorded by Garth and a gorgeous song written by her husband Doug Crider. This really was an outstanding album at the time. Her second album,”Moment Of Truth” was one of the strangest cases in Country music of not getting the recognition it deserved. Despite it being a lovely album (one of my all time favourite albums), and coming off the back of her succesful label debut, the album bombed. I’m really glad to see it getting another chance here. Several of the songs are quite memorable. “Blue Days” and “My Side Of The Story” are beautiful ballads, as is the Dan Seals duet “All Things Made New Again”. She lifts the tempo on “Under The Gun” and “Fear Of Flying”. This is a great package to collect. A great label debut album, and one of Nashville’s hidden treasures in one package. Highly recommended.

TANYA TUCKER has had many steps in her career. She started off as a teenage sensation with Columbia Records, then had spells with MCA and Arista, before moving over to Capitol in 1986. The new “2on1” collection from Humphead features her first two Capitol albums. When “Girls Like Me” came out in 1986, it was three years since she had last charted. This album rekindled her career. It produced three hit single’s hitting No.3, No.1 & No.2. These hits were “One Love at A Time”, Just Another Love” and “I’ll Come Back As Another Woman”. That album was followed by “Love Me Like You Used To”, which produced another three top ten hits, including the No.1 vocal event  “I Wont Take Less Than Your Love”, with Paul Davis & Paul Overstreet. This album also features the romantic, “I’ll Tennessee You In My Dreams”.  A good one to catch up on.

LYNNE HANSON is getting quite a bit of reaction to her album “Once The Sun Goes Down” (UK distribution by Proper). It’s the Ottawa based singer-songwriter’s third album. She has already toured Ireland, and will be in Germany when you read this, but she is planning some UK dates in the spring.  Her music has been called Country, Roots & Blues, Rough Around the Edges Folk, but Lynne, herself calls it “Porch Music with a little Texas Red Dirt”. The album, to my ears, does have that porch effect. “Rest Of My Days”, “Just For The Ride” and quite ear catching ballads. There’s a more uptempo beat to “No More Rain”, and “Off This Train”  which work just as well as the ballads. Possibly, the most Country numbers are the waltzy “Three Time Bent”, and “Somewhere A Lovely Flower”, which are quite listenable. I quite enjoyed this album, and look forward to her visiting our shores.

Another Canadian of note is MISS QUINCY, and boy, is she something different. Miss Quincy does not fit the classic Singer/Songwriter mold. Equal parts edgy frontier woman and risquè saloon madame, her mystique lays within the character created through her music, stories, and carnival weaved throughout her show. Influenced by the renegade women who came before, Miss Quincy draws inspiration from the blues ladies of the 1930s, boot stompin' bluegrass, and a healthy dose of vaudeville. “Your Mama Don’t Like Me”, is an infectious album of quirky songs and tunes from a bygone age. Most Country numbers are “Dead Horse” and the bluegrass flavoured “Wild Mountain Flower”. Elsewhere, I enjoyed the harmonica influenced “Bad Luck Woman” and the title track. It’s a catchy album. Catch Miss Quincy, if you can on Friday 4th  February at Glasgow’s State Bar.

MIKE DENVER has really established himself as one of Ireland’s leading Country stars in recent years. However  his latest album,”Tradition” (Sharpe Music) sees him change direction a bit. He says on the sleeve notes that this is an album he has wanted to do for a long time, since he watched the BBC “Bringing It All Back Home” series a few years ago. That programme featured a fusion of American and Scots/Irish music, and this album features a lot of Irish folk music influences alongside classic American Country music. His fans wont be disappointed, as he includes good versions of “Gentle On My Mind” and “Still Feelin’ Blue”. There’s also two beautiful ballads. “God’s Plan” written by Derek Ryan, is given a strong cover (Lisa McHugh also has this song on her album) and “Knowing You’ll Be There”, previously recorded by Guy Penrod, is one of the album’s strongest songs. But it’s his new found Irish sound that stands out. The instrumentation is superb, and these songs really suit Mike’s vocal style. Apart from a raucous “Seven Drunken Nights”, I enjoyed “I Want To Be in Ireland For The Summer”, “Day Of My Return”, “Paddy” and especially “Boston Rose”. A lot of Country fans tend not to enjoy the Irish-Country sound, but we have to remember that American Country music, as we know it today, has its roots here and in Ireland. It’s something which we should be proud off, and the Irish certainly are. Just listen to the album’s closing track, “That’s How We Got Country”, written by Lawrence John.  A thoroughly good listen. Enjoy !

One of the rising stars on the Irish scene, is LINDA WELBY, who has “A Story To Tell”. A native of Loughrea,  Linda, a young mother of eight children, now resides in Roscahill, Co. Galway. Her new album 'A Story to Tell' is a collection of contemporary songs and music all written and composed by herself. As a composer, songwriter, multi instrumentalist and singer, music has always been at the forefront for Linda. Her grandfather Paddy Doorhy was an accomplished fiddle player and played with the first Ballinakill ceili band. The phenomenal success of her single release "The Galway Fiddler" , the first track on the album, has surpassed all expectations with regular airplays on Irish, UK & North American radio stations. She recently featured on RTE Nationwide Television and won the award for Best Female Artist of 2008 on West Limerick Radio. Linda is a multi-instrumentalist playing Fiddle, Whistles, Accordion, Keyboards, Banjo and Drums. The album has a distinctive Irish feel to it, through asset of jigs, a hornpipe, and songs like “Crazy Love”, and “A Night I’ll Never Forget”. Family is obviously important for Linda, with tracks like “We Love You Mum”, and “Dear Dad”. My favourite track would have to be the closing song, “You’re The One”. It’s an all original album, from a name on the rise. Look out for Linda Welby.     www.lindawelby.com

If Linda is a new name on the Irish scene, FOSTER & ALLEN are legendary. Their famous laid back easy listening sound has earned them sales of over a million albums in the UK, since their “Bunch Of Thyme” hit the Top 20 back in 1982. Their latest package, “Magic Moments” (DMG) remembers some hige hits from the likes of Perry Como, Nat King Cole, and Pat Boone.  It’s not a Country music collection, by any means, but there are covers of Country favourites like “Back Home Again”, “Happiness”, ”You Needed Me”, “Send Me The Pillow” and “My Forever Friend”. There’s 2 CD’s in this package offering 40 tracks, together with another 20 video tracks on a DVD. A superbly relaxing package, and great value for money. They’re touring in May, and their dates are in the gig guide.

Still in Ireland,  STEPHEN SMYTH has established himself as one of the brightest entertainers there in recent years. Like many Irish acts, Stephen has found a market, with shades of Country, but generally covering a wider range of music. His latest album, “Do I Even Cross Your Mind”, does have strong Country songs, like “He Dont Call Me Anymore”, an quickstep version of Johnny Cash’s “I Still Miss Someone” , a catchy version of “Dim Lights Thick Smoke & Loud Loud Music”, and a credible cover of “He Stopped Loving Her Today”. But it’s essentially an entertaining middle of the road album, which I found to be an enjoyable listen.   www.stephensmythband.co.uk

JESSE BREWSTER is labeled as a singer, songwriter, guitar-slingin’ outlaw. His songs are of “loss,hope and reflection; fears, truth and introspection”, according to the publicity send out with his album, “Wrecking Ball At The Concert Hall” (Crooked Prairie). He began his first band at age of 12, and has influences of Tom Petty, Lynyrd Skynyrd, Neil Young and Willie Nelson, all rolled into one. The San Francisco native certainly offers a varirty of styles on the album. He really rocks it up on tracks like “God Fearin’ Man”, but can slow it down with the more soulful “Dive To Drown In”. “I’m Not Broken” and “All Those Things I Said”, whilst upbeat, have quite a Country feel to them, whilst  “Fuel For The Fire”, “All She Deserves” and “Sometime” are pleasant Country ballads. It’s an interesting album, which should see his fame spread beyond San Francisco.          www.jessebrewster.com

SUSAN CATTANEO is a new name, but I’m glad I got the chance to discover her music through her album “Heaven To Heartache” (Jersey Girl Music) released here on Feb 14th. Although based in Boston, Susan grew up in New Jersey, but spent her summers on an Arizona ranch. She also spent a year in Italy, which has paid off, for she’s been back there touring in support of her debut album. This follow up features 12 self penned originals. She has a lovely delivery, good voice, and good backing arrangements. “Girls Night Out” has quite a modern upbeat Nashville feel to it. It’s the sort of song you could hear Martina covering!  Another uptempo number is “Shave” about watching her man’s daily routine. It’s a quirky fun number, which is different from the rest of the album, but it works. She also rocks it up a bit with “Country Is The State I’m In”. On the ballads, “Put That Bottle Down” has quite a strong message, but one that Susan delivers with strength and dignity. “Baby We Fly” has a lovely easy summery feel to it. I also enjoyed the gentle “Just Like It Was Texas”, which has a western feel to add to its authenticity. I really enjoyed this album. Susan Cattaneo is certainly a name to look out for in 2011 !   www.susancattaneo.com

MALCOLM HOLCOME is no stranger to Scotland, having toured here several times. His eighth album, “To Drink The Rain” (Music Road Records) is scheduled for a March 7th release, just before his latest tour which takes in Aberdeen & Montrose (dates & venues in the giglist). He has an interesting vocal style. It’s quite a “lived in” voice, but theat really adds something to the 12 self penned songs on the album, which was recorded in Austin, Texas.It’s a real Rural America sound, with songs like “Mountains Of Home”, Down In The “Woods” and  “Those Who Wander” , with a bluesy edge. The backing, featuring bass,fiddle,dobro and mandolin really adds nicely to the mix. This is singer-songwriting at it’s best. He doesn’t try to be someone he isn’t. He’s his own man, with his own music.

Finally, GET LOWis a film set in the Deep South, in the 1930’s about a Tennessean hermit,  Felix Bush, who, famously threw his own rollicking funeral party... whilst still alive.  The film stars Robert Duvall, and Sissy Spacek, and features some wonderful old time & bluegrass music, in much the same way as “Oh Brother” did. The soundtrack (Rounder) features music from Alison Krauss, The Steeldrivers, Jerry Douglas, Stuart Duncan, Gene Austin, Paul Whiteman , and even The Inkspots.  Ok, so only Alison Krauss’ solo track and the four tracks from The Steeldrivers are going to appeal to readers here. I’ve not seen the film, but the soundtrack was quite intriguing.




April/May 2010

Starting off this month with a superb new album from JOSH TURNER, who has one of the deepest, richest male voices in today’s Country music. He’s also one of the most traditional stylists around these days. “Haywire” continues to build on a successful career for the Grand Ole Opry member, who was once refereed to as “A Country Barry White!” He has co-written four of the tracks on the album , and wrote the title track himself. Other writers include Shawn Camp, Rory Burke, Mike Reid, Pat McLauchlin, and Rhett Akins. Stand out tracks for me include the fast moving, “Eye Candy”, the soulful, “I Wouldn’t Be A Man” , the bluegrass flavoured “Your Smile”, and “Fast As I Can”.Whatever style of song Josh takes on, he certainly delivers with soul and conviction. The “Deluxe Edition” of the album, features four addition tracks, including the really catchy “Lets Find A Church” , which was from his “Long Black Train” session, but didn’t make the album.Also featured are two live tracks, “Long Black Train” and “Your Man”, two of his biggest hits to date. Great to hear these songs “live”, but, personally, I prefer to listen to the voice of the man singing, not his screaming fans.Despite that, a superb album, and great to see HumpHead releasing here.

From the same stable comes a brand new name, but he wont be a stranger long, I’m sure. Florida native, EASTON CORBIN’s self titled debut album on Mercury Records (released here by Humphead) is a real Country winner. Although his heroes are listed as Whitley, Haggard & Jones, I hear a whole lot of George Strait & Alan Jackson in his voice and styling. That’s quite a winning combination. Having written four of the songs, and featured others by names like Rory Feek (Joey & Rory), Mark D Sanders, Aimee Mayo, Kevin Denney and producer Carson Chamberlain , Easton has delivered a 100% proof Country album, that will still fit nicely into American Country Radio.It’s such a good album that it’s difficult to pick out any particular tracks. I did like “A Little Bit More Country Than That”, which has also been released as a single. It was his US debut single and went Top 20. I also enjoyed “Don’t Ask Me About A Woman” and the slightly gulf coast sounding “A Lot To Learn About Livin”.This is going to be one of the albums of 2010.

A couple of cracking home grown albums next. JOHN MILLER has one of Scotland’s purest traditional Country voices, and has just released his third solo album ,”Still Carrying A Flame (Folk & Western label). As with his previous offerings, John has written all the songs, and offers a good variety of tempos and styles. From the catchy opening track, “Take It From Somebody Who Knows” to the softer “My Dreaming Party”, and the western swing styling of “My Baby Ain’t My Baby Any More” and the rockabilly flavoured “Mama Says No”, John is in fine voice. There’s some nice harmony from Seonaid Aitkin on “Heavy Hangs The Head”. One track which pleasantly surprised me was “Tiny Sweetheart Roses” which has a very sentimental, almost Irish Country, feel to it. I’m sure there’ll be a lot of interest in this one. “Feeling Sorry For Ourselves” has a great Asleep At The Wheel swing feel to it, complete with an 86 second instrumental intro. He even tops off the album with “Trucking On Back To You”, a pedal pumping big trucking number. One song I recognised was “Take Me Back To San Francisco”, which was previously recorded by John on The Radio Sweethearts’ “Lonesome Blue” album. I liked the dobro and organ, giving it quite a different arrangement ten years on. I particularly enjoyed “I Just Cant Live Without You”, with it’s superb steel intro and superb delivery. Whatever track you listen to, it’s pure Country music. He has a good line up of players on the album, including BJ Cole, Francis MacDonald, Andy McDowell, Martin Barrett and David McClean, The whole thing (except BJ’s steel licks) was recorded in Busby. www.johnmillermusic.com

Another successful songwriting talent we have here in Scotland is ISLA GRANT. Isla’s latest album, “Movin’ On” has just been released on Rosette Records here. Whilst Isla is a household name in Ireland, and has huge followings in Australia, New Zealand & Canada, she has found her homeland a harder nut to crack. Her music has, traditionally leaned towards the sentimental side of Country music, which is no doubt why Ireland has embraced her so warmly. However, Isla is much more than that. Her last album was full of Hank Williams songs, and this new album has her displaying different styles from blues to bluegrass. The title track is kinda bluesy, but this style suits her vocals, as much as the sentimental numbers like “I Still Love You”. I really enjoyed hearing the rather sentimental, yet bluegrass sounding, “Sleep Little Baby”. It reminded of the music from “Oh Brother Where Art Thou”. There’s an old timey feel to “You Don’t Belong” too. Then there’s gospel. Isla does a fantastic job on “A Train Called Glory”. Such a well crafted song, and it stands out on the album for me. It’s a feel good uptempo number. Elsewhere, she goes back to her old folk roots on “The Old Canal”. As those who have seen the lady in concert over the past couple of years will know, she’s been adding harmonica to her set, and this is prominent on “It’s Not Easy”. She also revs it up with some uptempo numbers, like “What Are You Trying To Do To Me” and “What Love Can Do”. Isla hasn’t changed completely. Songs like “It’s Too Late Sweetheart” and “Dont Give Up On Me” bear her well loved sentimental stamp. Having written songs about Scotland, Ireland & Australia, Isla’s latest place is New Zealand. She closes the album with a lovely song for her kiwi fans in “Aotearoa”. It’s a lovely song that you don’t have to be from the other side of the world to appreciate.With 15 tracks, Isla has delivered a superb album of all original material.

Throughout this column, and on my radio programme, I’ve often praised the quality of Country music coming from our northern neighbours in The Faroe Islands. Last year we reviewed an album from HALLUR, and second album “Smile” has just arrived. As with his debut, Hallur demonstrates a superb Country style, a very traditional sound, and a beautiful twinning of Nashville & Torshavn musicians. Indeed, it was for a celebration of the ties between the cities that brough Music City musos like Brent Mason, Paul Franklin and David Hungate to the windswept rocky islands last summer. The album features well produced classics like Hank’s “Why Should We Try Anymore”, Ernest Tubb’s “Walking The Floor” , Ray Price’s “I’ll Be There” and Cash’s “I Got Stripes”..He does a superb version of “Til A Tear Becomes A Rose”, dueting with Tanya Hencheroff”. There’s also a Faroese version of a Charley Pryde song.But there’s also original songs by local North Atlantic writers. The album’s title track, has quite a poppy, almost Eurovision, (don’t think The Faroes take part, maybe they should!) feel to it, but sounds really catchy. There’s two versions of the song, in English, like most of the album, and in the local tongue. “Window Shopping” really impressed me. It has a good traditional feel to it, and “My Sweetest Hello” is a duet with Nashville songstress Dawn Sears. Throughout, Hallur’s Country credentials, and strong vocal style shines through. It’s another winner from The Faroes!

One of the most talked about films recently is “CRAZY HEART” which stars Jeff Bridges and Colin Farrell in a tale about a hard living Country singer. There’s plenty of good music in the film, both old & new, featured on the soundtrack, which is available in two versions. You can get a version with 16 tracks, or a deluxe version offering 23 tracks. (New West). Whilst Colin Farrell does a fairly decent job on “Gone,Gone,Gone”, I was less than impressed with the contributions from Bridges and Ryan Bingham. Bingham’s “The Weary Kind”, which is the film’s theme, is indeed, rather weary. Most of the new material is rather heavy and rocky, in direct contrast to the older songs from Buck Owens, The Louvin Brothers, Waylon and Townes Van Zante that get a new airing. It was great to hear “Hello Trouble”, and “If You Needed Me” again, and they blew through the album like a breath of fresh air. If you enjoy the film, then you’ll enjoy the CD as a momento, but, as a musical offering, I wasn’t persuaded to head out to see the film.

There is no doubting that BETH NEILSEN CHAPMAN is one of Country music’s most prolific female songwriters. Her work extends well beyond Nashville, with Bonnie Raitt, Elton John, Neil Diamond and Roberta Flack having recorded her songs, alongside Trisha Yearwood, Faith Hill and Willie Nelson. She is no stranger to the studio, having released several albums, including a Warner Brothers Greatest Hits collection. Her new album, “Back To Love” (BNC) released here to coincide with her recent lengthy UK tour, is one of her strongest to date. The album is labelled as a “mainstream pop album”, but, to me it’s a songwriter’s album. BNC has always had that Middle Of The Road feel to her songs, where she can sell these songs to a Country audience, and beyond, into a bigger pop market. OK, so the instrumentation on this album, may be just a shade more contemporary, but the songs adapt well to the arrangements. I particularly enjoyed the opening two songs, “Hallelujah” and “I Can See Me Loving You”, which are both quite up-tempo for Beth. The rest of the album are ballads, ranging from the powerful “How We Love”, to the delicate “Shadows” and “Path Of Love”. “Happiness” is probably the most obvious Country flavoured number, But, throughout, Beth displays a beautiful delivery. At times, there’s a hint of laughter, which gives you the feeling of listening to this album in an intimate songwriting club. I really enjoyed listening to this album from Beth Neilsen Chapman, and was left wishing I had caught one of her recent concerts here.

JOHNNY CASH has become such an icon since he died. His later recordings are, to the long term fan, by no means his best. But there’s no doubt that these latter day recordings did capture a whole new generation of fans. “American VI : Aint No Grave”, released in February to mark, what would’ve been his 78th birthday, is the final recordings in a long career that stretched back to the 50’s. The album was produced by Rick Rubin, who produced the previous five albums in the series. Throughout, John sounds frail, and the choice of songs do come from a dying man. He covers a few Country classics, like Hank Snow’s “It Don’t Hurt Anymore”, and Kristofferson’s “For The Good Times” (with it’s opening line “The Party’s Over”). There’s Tom Paxton’s “Cant Help But Wonder Where I’m Bound”, and Sheryl Crow’s “Redemption Day”. Cash’s delivery on these songs are all farewell songs. Even Bob Nolan’s “Cool Water”, which I’m sure Cash has recorded before, looks towards the afterlife. The album also features his last written composition. “First Corinthians” in which he tells of his journey to his redeemer. Some may feel that this is quite a morbid album, but I’m sure Cash recorded it, with the view to his life and music carrying on after he died. It’s certainly one to complete that Cash collection.

From Arkansas, Cash’s home state, our next album comes from AMY CLAWSON. “The Woman In Me” (BSW) is a modern album with some good traditional stamps on it. David Frizzell produced half of the tracks on the 15 track selection, wrote four of the songs, and duets on “Why Wasn’t It Me”, one of the strongest songs on the whole CD. Amy, herself, had a hand in writing the fast paced “Another Clown”. Several of the numbers are quite poppy, with “Cowboy Up”, which closes, verging close to rapping in parts. But there are plenty of songs of interest for Country fans. “Can’t Call It Love” is a particularly strong Country song “I’m Gonna Fly”, co-written by Karen Taylor Good is one of the more sensitive offerings, with “Where In The World Am I” also standing out. There’s a classic in the form of Hank Cochran’s “Don’t Touch Me”, which Amy does a really strong version on. Amy Clawson certainly covers a lot of ground on this album. Well worth checking her out at www.myspace.com /amyclawsoncountry

Moving up to Nebraska, we find Omaha native HANNAH McNEIL, from whom we received a package including her self titled album, and a DVD of her current single, “What Am I Getting Up For”. (Red) Hannah worked her way through the honky tonks and Country fairs across the Midwest, before heading to Tennessee. With her husband, she now lives on a farm in Franklin, an easy commute to Music City. For her album, she teamed up with Ron Higgins, and they co-wrote the whole album of 13 songs. They’re all quite catchy radio friendly modern Country songs, and well produced and performed by Hannah. My favourite cuts would be “Doesn’t Have To Be This Way” , “Walking Away A Winner” and “I Am Strong”. They’re up to the Nashville standard, equal to anything you’ll hear from a bigger label.  I’m sure well hear more from Hannah.

It doesn’t feel like 23 years since MARY CHAPIN CARPENTER burst onto the scene with the wonderfully under acclaimed “Hometown Girl” album. These days, a new album from Chapin is something of a rarity, so it’s always worth checking out. Her new CD, “The Age Of Miracles” is on the Rounder label, and is released towards the end of April. We have an advance copy, without the usual writing and production credits, but I can confirm that it is a very enjoyable listen. She’s in fine voice throughout. Vince Gill joins her on “I Put My Ring Back On”, but only in a very background vocal capacity. It is, however, one of the stronger songs on the album. She recalls the Tiananmen Square protests of 1989 on “4 June 1989” from a year old’s point of view. She continues the global theme on the soft and gentle, “Iceland”. The album’s title track is quite midtempo and folksy. It works really well. As with any MCC album, many of the songs are quite dark and serious, with the odd flicker of light and joy.This album has the usual Mary Chapin Carpenter formula. It’ll be another winner!

GARY ALLAN has been around since the mid-90’s, being a consistent Country chartmaker in America, without quite making the superstar status. His sound is of a modern day outlaw, a bit rockier than Waylon or Willie ever was, although he has given us a few lovely ballads over the years. His music has never made much of an impression on me, and his new album , “Get Off On The Pain” (Humphead) wont change that. It’s OK, as it goes, but having listened several times to the album, there’s nothing that caught my attention. Allan had a hand in writing half of the tracks. If you get the “Deluxe Edition”, you get three extra “live” tracks recorded at The House Of Blues in Chicago last October. If Gary Allan has made an impression on you during the past 15 years, then this album will be worth checking out. If you’re not familiar with Gary already, I doubt if this album would change that.

When you’re a superstar like WILLIE NELSON, you can call your album anything you like. To call it “Country Music”, is simple and effective. There’s 15 tracks, with a very traditional feel, especially on tracks like “Seaman’s Blues” You Done Me Wrong” and “Gotta Walk Alone”.He does a few standards too, like “Satisfied Mind”, “My Baby’s Gone”, “Pistol Packin’ Mama” and “Drinking Champagne”. This new album is released at the end of April on Rounder.

BARNEY BENTALL has been part of the Canadian music scene for many years, in various bands. This is the Toronto born singer songwriter’s second solo album for True North Records. “The Inside Passage” features 10 self penned songs, recorded in British Columbia. They range from the uptempo opening track “Hold My Heart” to ballads like “I Never Meant To Make You Cry” and “She Ran Away”. The title track is a soft ballad, as is “Face To Face”. The slow songs are nice, but don’t deliver as strong a message as some of the other tracks on the album. Uptempo tracks like “Catch That Train” and the bluegrassy “Papa Henry’s Boy” are the album’s stand out tracks.

BUCHANAN are a Manchester based five piece band, who have a solid based Country sound. “Suit Of Lights” (Goldrush Records) is their third release, and it continues from where they left off. It’s all original material, and is delivered with such strong conviction. Their influences are cited as Merle Haggard, Gram Parsons and Robert Earl Keen. The twelve tracks offer some quite distinctive sounds.The album kicks off quite quietly with “She Rides With The Wind”, but the album has some superb uptempo numbers too. “The Girl From Your Hometown” is particularly catchy. It’s 100% Country throughout, but “House On The Hill” has a particularly strong Country feel to it. “Jim Todd’s Blues” also stands out. “The Longest Night”, which closes the album has a real old Western story feel to it. The album was recorded in Manchester, and guest vocalists include Cathryn Craig and Monica Nordli. It’s a first class UK Country recording. Superb stuff.

ALAN WEST has been part of the UK Country scene, primarily down south, for many years. He was half of the BCMA award winning West & Elliott duo, before setting out on a solo career. His first solo album was recorded in Nashville, whilst his new release, “The Way Of The World” (Rido Records) was made in England. This album features songs written by Steve Black, hailed as one of Britain’s unsung songwriters. Well, his work is sung now, and given a really good hearing by Alan. The opening track , “The Big Freeze”, is a particularly good, strong commercial number, whilst “Wasilla” is much more of a story song. “I’m Not Over You” has quite a simple ballad that works really well. “The World That’s Lost Your Name” is back to the catchy beat, with a bit more of a folksy influence. “Devil Or An Angel” is quite fast too, with a good linedance beat to it. “How Much Time” is has a nice Country feel to it, with some nice harmonies. Sarah Jory and Albert Lee are amongst the background vocalists. I really enjoyed this album. It was quite different.

SOCIETY are a trio from West Sussex, who have just released their CD, “Songs From The Brickhouse” on their own label. They have a good Country Rock sound, with good measures of harmonica and Mandolin, which offers much more than effect. They have been likened to CSNY, Tom Petty & The Heartbreakers and The Band. Certainly they have that popular West Coast sound. The band’s Matt Wise wrote all 11 songs, including the cracker of an opening track, “Fools End”. I also enjoyed “Blown On The Breeze” and “Back In The Woods”, but, I have to say, the whole album brought back memories of the 70’s Country Rock sounds of Poco and The Eagles. Check them out at www.myspace.com/societymusic

Kent born GRAHAM LANDI has spent years honing his album, “Halfway Home” (Little Onion Records via Frontier). It’s taken years from scribbling down ideas in a little notebook, to putting them into his first album. He doesn’t have a particular style, with bits of folk, rock & country all featuring on the CD. The whole album, produced by Sean Kenny, is very listenable. “Yes Days & Yesterdays” is a particularly strong driving song, which features some nice harmony from Hayley Oliver, whose own album, we reviewed last time. I also enjoyed the catchy “Where Did You Go”, and the slightly rockier, (although not far away from today’s Nashville sound”) “Ashamed”. “Corduroy Pillow” and “ Four” are a little softer, but the very melodic “I Can’t” really caught my attention, perhaps more of a ballad than a Country song, but it works well. “Water” and “What If I’m Right” have more of a folksy feel to them, but, again, they work well. This is his life story in 12 songs (“Mother” has two different versions). I hope he has more to tell.   www.grahamlandi.com

Finally, over to Ireland for a couple of new releases. One from one of the longest running bands, and one of the newest names on the scene, THE INDIANS, a colourful group of guys who have been entertaining for close on 40 years. As the title suggests, “From The Beginning”, takes us back to the start, and traces The Indians long career since they first came along in 1971. Although the line up never changed much in that time, they did have five “Big Chief’s” throughout the years. Three tracks are featured from each era, with songs that have been mainstays of any Indians show. As with any showband, it’s not all Country, but good dance numbers. Here you’ll find a good few Elvis numbers, like “She Thinks I Still Care” and “Cant Help Falling In Love”. “Love Is All Around” (the Wet Wet Wet hit) is also credited as having been written by The King. There’s The Eagles, “Girl From Yesterday”, and The Statlers’ “Flowers On The Wall”. Stand out song, is their single hit from a few years back. “Galway To Graceland” is such a great song. There’s not too many showbands still around these days. The Indians are something of an Irish treasure. Here’s a superb album to remember those great showband nights with.

20 year old NATHAN CARTER is certainly making a name for himself. The winner of the Best Newcomer at the recent Sunday World All Ireland Country Music Awards, has just released his debut album, “The Way That You Love Me”. The album features a good selections of covers, including Joe South’s “Games People Play”, Vince Gill’s “I Still Believe In You”, John D Loudermilk’s “Break My Mind” and a bouncing Buck Owen’s Medley. The adds a bit of Irish with Foster & Allen’s “After All These Years”, an Irish medley, and two songs, including the title track, penned by John Farry. He does a good job throughout the album. It’s your typical Irish Country album, good songs, well produced, and great to dance along to. He doesn’t quite offer anything that stands him out from the crowd, but he has a future, of that I’ve no doubt. www.nathancartermusic.co.uk



 

December 09/January 2010

We’ll kick off this time with two sequel’s to album’s that shaped their artists careers.

When JOHN FOGERTY left Creedence Clearwater Revival in 1972, his first solo album was “The Blue Ridge Rangers”. Well, 36 years after that first album, “The Blue Ridge Rides Again”, and gets a UK release by Verve Forecast/UMG. Fogerty’s unique vocal style, mixing Country/Rock & Folk styles has worked well throughout his career. On this new album, he takes a number of songs that he says he has “carried around for a lifetime”. He does his unique magic on the likes of Buck Owens’ “I Don’t Care”, John Denver’s “Back Home Again” and Ray Price’s “I’ll Be There”. His version of John Prine’s “Paradise” is superb, and really does an interesting job on “Heaven’s Just A Sin Away”, the song that launched The Kendalls’ career. There’s guest appearances from two of the Eagles and Bruce Springsteen. It really is a cracking album, and one that will win favour from fans of all kind of music.

Someone else who is following up on one of her previous album’s is PATTY LOVELESS. Back in 2001, she released “Mountain Soul”, a traditional album that really took her back to her Kentucky bluegrass roots. Now Saguaro Records have given a UK release to “Mountain Soul II”, which recreates the sound that made such a mark earlier in the decade. With guests like Vince Gill, Carl Jackson, Mike Auldridge, Emmylou Harris , Jon Randell, The McCoury’s and Rebecca Lynn Howard, Patty and husband/producer Emory Gordy Jr have created another masterpiece. She has taken songs from such accomplished mainstream writers like Susannah Clark, Harlan Howard, Tony Arata, Kostas, Karen Staley and Paul Kennerly, and given them such stunning Appalachian arrangements. Some of the tracks, like “Friends In Gloryland”, “Children Of Abraham” and “Diamond In My Crown” are extremely traditional, whilst others, like “Big Chance” and “Blue Memories” are out and out bluegrass. Her version of “Busted”, which opens the album, is given a really strong arrangement, whilst, if I had to pick a favourite, it would have to be the gorgeous & melodic “Bramble And The Rose”. In a world where the distinction between Country and Pop music is blurred, the crystal clear vocals of Patty Loveless is a truly refreshing breath of air.

Still looking back to bygone days, it’s 45 years since JIM REEVES was taken from us, but he’s still as popular today, and even more remarkably, new material is still surfacing. H&H Music has released a double CD of material, much of it unreleased in Europe before. Some of the songs are re-mastered, and alternate versions of hits. You’ll find well known hits like “Anna Marie”, “Blue Boy”, “I Love You Because”, “Is It Really Over” and “He’ll Have To Go” here, alongside lesser known numbers, some written by Jim himself. CD2 is one for the collectors. There’s a concert from August 1961 from Mountainside Park in Pennsylvania. Here, we not only hear Jim in fine voice, but The Blue Boys doing instrumentals. It includes Jim doing impersonations of the likes of Ernest Tubb, Webb Pierce, Johnny Cash, Lefty Frizzell, Red Foley (with the late Leo Jackson doing Kitty Wells part), and even Yogi Bear. It’s a sense of humour that we’ve rarely heard from Jim. There’s also a 30 minute radio interview from October 1961, which was conducted by Bill Mack (who wrote Leann Rimes “Blue”). It’s a wonderful keepsake for any Jim Reeves fan. It would’ve been nice to have had this released in time for his 45th Anniversary at the end of July, but better late than never. There’s also a DVD “Antholgy” just released, featuring 18 separate TV and film appearances between 1955 – 1963, and a new 600 page biography too. Jim Reeves, the memory, is certainly as strong as ever!

Bringing us up to date (although not in Britain), is the new album from BRAD PAISLEY. The British record label decided not to release his album “American Saturday Night”, but as Brad was the most nominated artist at the recent CMA Awards, his American management did send out the album to international media outlets. He co-wrote all 14 tracks with the likes of Chris DuBois, Ashley Gorley, Kelley Lovelace and Tim Owens. This is an album that grew on me, the more I listened to it. He seems to be going after the crossover market with the first few tracks, whilst his loyal Country fans will listen on to the much more Country tracks in the later part of the album. The album kicks off with a rather non Country sounding 40 second intro into the title track, before he moves onto the rather soul sounding “Everybody’s Here”. There’s more strange sounding intro’s into “Welcome To The Future”, which isn’t a bad song, once it gets going. There’s also a reprise of the song a few tracks later. It’s only Brad & his guitar, and sounds so much more appealing.

He also teamed up with Bill Anderson & Jon Randall for “No”, a lovely sentimental song. I did enjoy “Anything Like Me”, a rather reflective biography of his own life, “You Do The Math” is quite a catchy number, and sounds like another of Brad’s chat up lines (remember “Me Too”). “Catch All The Fish” is another fast tempo number, which shows Brad’s superb guitar skills, whilst “Pants” is a tongue in cheek look at relationships. It also has a strong Country feel to it, with lots of fiddle & steel. As has become traditional with Brad’s album’s the CD ends with a “hidden” track, a rather heavy 90 second instrumental. I had my reservations for the first few tracks, but by the time the album finished, I was really enjoying it. And with 15 tracks, I have to say it’s value for money, and good Country music with it.

DOMINIC KIRWAN has for many years appealed to Country music fans, despite having more of an easy listening/MOR feel to his music. On his new album, “My Kinda Country” on the Scottish based Country House Record label, he redresses the balance by putting out a stonewall Country album. It’s 20 years since Dominic recorded his first album for Ritz Records. In that time, he has recorded a lot of good

Country songs, even dueting with Rhonda Vincent, but this is a full album of Country songs that he has wanted to record for a long time. We caught his “Country Classics” tour in Hamilton, and found the show was reflecting the new album. I don’t think I’ve heard Dominic in as good a voice for a long time. His voice really suits these songs.. For the album, Dominic has found a strong mix of songs by the likes of Kenny Rogers and Don Williams, to Billy Ray Cyrus to Garth Brooks. He covers classics like “These Lips Don’t Know How To Say Goodbye”, “Statue Of A Fool”, and “The Green Green Grass Of Home”. He even covers Gallagher & Lyle’s “Stay Young”, and does a vibrant fresh version of it, unlike the slow Don Williams version. You’ll also find his version of Johnny Lee’s “Lookin’ For Love”, from the Urban Cowboy movie. Certainly not an album of tried & tested classics. The variety on the album certainly displays Dominic as an all round Country singer, and as someone who knows his Country music. Recorded in Donegal and Norfolk, the album is available from his website www.dominickirwan.com .

From south of the Irish border, STEPHEN SMYTH has been rapidly building up a following in recent years. At the same time, he has managed to make several Scottish visits stretching his popularity here too. His music is unashamedly showband influenced, but with a strong Country pedigree. There’s 14 tracks on his new album., “Here We Go Again”, the title track, of which is quite a heavy ballad, previously recorded by Ray Charles & Norah Jones. He covers Harlan Howard’s “Mary Ann Regrets” Alan Jackson’s “Lets Get Back To Me & You”, Haggard’s “I Take A Lot Of Pride In Who I Am” and the over sentimental “Medals For Mother”. I was impressed to see him record Larry Gatlin’s “I Don’t Wanna Cry” and really enjoyed “Gently Hold Me”, the same song Peggy Sue & Sonny Wright had out in the early eighties. The Irish influence is strongest on “Put Me In Your Pocket”, whilst “Shoes Of A Fool” is an original, written by fiddler Bobby Flores, who plays on the album. With additional vocals by The Ben Sisters and Leon McCrum, this is a feel-good party album, the kind Stephen does so well. www.stephensmythband.co.uk

A very different Irish album comes from BEN REEL. “Time To Get Real” is the 5th album from the Country Armagh singer-songwriter, and his vocals, mixed with the instrumentation of harmonica and keyboards as well as guitars really work well. It’s certainly not a standard Country album, but should appeal to those that enjoy singer songwriters. I enjoyed “Old & Wise” and “Summers Always Here”, but my favourite track would have to be “Rainy Night”. It’s a real thinking of home song, so will touch a nerve with many of his countrymen. The album was recorded in Monaghan, and available through www.benreel.com

Some homegrown bluegrass next.

IAN MAIRS has been part of the Scottish bluegrass scene for many years, in Old Hickory, Banjo Cocktail and The Moonshiners. He was with The Moonshiners for 20 years, before leaving last year to pursue a solo career. “Green Eyed Woman” is, in fact, Ian’s third solo album, and is released on Houndog Records. The album features all self written material, and was recorded in Dunfermline. As you would expect from a bluegrass album, there’s plenty of banjo & fiddle. Ian, himself, is playing guitar and leading the vocals. His vocal style is quite listenable, and the songs have grown on my quickly. I cant pick out a favourite from the album, but I will say that there are up-tempo numbers like “Can’t Be A Lonely Man”, “The Old Grey Mare” and “Say That You Love Me Again”, whilst “A Million Miles Away” is quite easy listening. “Green Eyed Women” sounds a bit more folksy, whilst the CD’s closing track, “I Left My Hat In Tighnabruaich” (a parody on San Francisco) is done accapella. I really enjoyed the album. It’s great to hear bluegrass done so well right here in Scotland. www.myspace.com/ianmairssolo

If Texan music is your thing, don’t miss “ Tall Texan Tales”, the new album from BOB CHEEVERS, who is currently on a lengthy UK tour. Bob, to me, is an unpolished Willie Nelson. He has the sound that Willie should have. His phrase is “I don’t know if these stories are true, but they happened to me”, and that can be related to these songs, which all have a Lone Star State theme. It’s not all Willie Nelson influence, there’s a bit of Buddy Holly coming through on “One Good Rib”. The music varies from near narrative numbers like “Falling”, and the soft ballad style of “Is It Ever Gonna Rain” to the more rocky “Texas Is An Only Child”. My favourite cut has to be the Tex-Mex accordion flavoured “Luchenbach”. The whole album was laid down in eight days, on an old analogue tape recorder. It certainly makes for a really interesting album. www.bobcheevers.com

To those that know his music, TOM RUSSELL is a legend. He has been recording for over 30 years, as is credited with launching the whole Americana movement. He was born in Los Angeles, but, these days is more associated with the Texan music scene. Indeed, it’s part of a Texan singer-songwriter showcase, that will bring him back to Scotland in the new year for Celtic Connections. His latest album, “Blood And Candle Smoke” (Proper label) features a dozen deep and interesting reflections of life, from the Canadian folk bars, to Indiana, Texas, Mexico, Vietnam and Nigeria. He often tells tales of the Indian Reservations, and he returns there on several tracks, including “Crosses Of San Carlos” and “American Rivers”. He tackles the cause of the miner, on “The Most Dangerous Woman In America”, and the album ends with a gorgeous story , almost spoken, song called “Darkness Visable”. His clever writing links Mexican railways, Spanish apples, Hank Williams and jazz singer “Nina Simone” into one song. Recorded in Arizona, and featuring some lovely harmonies from Gretchen Peters on “Santa Ana Wind”, Tom Russell continues to prove just why he is so highly regarded. Next up, a young lady from North Carolina, who now calls Gloucestershire home.

HEATHER BRISTOW has been a poet and a singer from a young age. Now, she proves herself as a songwriter too, with the release of her debut album, “Hope On The Vine” (Heifer Records). This is a wonderful bluegrass old time album, with some good singing, some great pickin’ & fiddlin’. There’s tracks like “Seasons”, “I’m Ready” and

That Train Wont Run”, which offer some great instrumentation, whilst others like “Red Sky Night”, “Counting Memories” show Heather’s vocals more. There’s even a bit of Scottish influence with the banjo flavoured “I Cant Hear Those Hills”, inspired by The Cullens of Skye. She turns to old time southern gospel for “Ain’t Glory Grand”, and slows things down on a couple of tracks, including “Fear of Drowning” and the stunning acapella “Miner’s Tale”. Altogether, Heather shows her talents in writing and singing across no less than 15 tracks. I thoroughly enjoyed this album. There’s a superb upbeat finish with “Southern Storm”, which will be something of a signature tune, as she credits her band of the same name. Check her out at www.myspace.com/heatherbristow

Next up, we have a real international artist.

MARYBETH D’AMICO is an American singer songwriter, who lives in Germany. She got into music after she lost her job as editor of a magazine in Amsterdam. The music you hear on her album, “Heaven, Hell, Sin And Redemption” (Waiting To Fly Music via Proper), is very much in the style of other progressive singer songwriters like Patty Griffin, Kathleen Edwards and Lucinda Williams. Recorded in Texas, with dobro & pedal steel from Lloyd Maines, no less, she’s certainly making her mark. She’s already toured the UK briefly, and will be back in May 2010. The album title comes from characters in the songs, from the single mum who cannot settle, to the sex scandal minister, the army brat, and a guy on death row. The songs are strong story songs, with a good strong instrumentation. My favourite track would be the melodic “Nothing Without You”. Worth a listen. www.marybethdamico.com

Although she calls California home, RITA HOSKING’s music is a mix between Texas & the Appalachian mountains, as a listen to her album, “Come Sunrise” will testify. Rita has a good strong southern twang in her voice. The Fiddlefreak.com website likened her to Emmylou Harris & Gillian Welch, but there’s more than a hint of Jennifer Nettles (Sugarland) and Natalie Maines in there too. All the songs are self penned, and have a real gutsy edge. I especially liked “Promise Land”, with it’s easy Appalachian sound, and the more uptempo “Precious Little” and “Little Joe”. “Holier Than Thou” has a really strong southern sound too it too. On a softer note, I enjoyed the title track and “I’m Going Home”, which closes the album. She has a really good voice, which blends well with the very acoustic guitar, fiddle & dobro arrangements. The album isn’t released until January 11th , but is already one of my albums of 2010 ! Check her out at www.ritahosking.com

Over to Norway next, to check out an album by KARIN WRIGHT. Karen is a singer songwriter, and has written 8 of the 10 tracks on the album. The exceptions being “Bar Thing”, quite a rocky number that was released as a single, and a cover of The Eagles “Wasted Time”. Her own songs range from the stone Country sounding “Some Believe” and “I’m With You”, to the rockabilly “Hit Me With It Darlin’”. Her Country numbers remind me of early Loretta Lynn. She has a solid Country vocal styling on these numbers. Meanwhile, “Down The Road” and “Indian Warrior” have more of a folksy feel to it. With Norway attracting so many big Nashville names and festivals these days, perhaps we should take notice of the artists who are the main players in what is becoming the “Nashville of Europe”! Karin Wright certainly deserves your attention. www.myspace.com/karinwright

HENNESSY KEANE is a Southern England based songwriting duo, with Irish ancestry, and a huge American Country influence. They are Shaun Hennessy, who plays, guitars and banjo, and Ian Keane, the vocalist and drummer. Their debut album , “Nowhere Fast” was recorded in deepest Wiltshire. It’s a lovely sounding album. The instrumentation is assisted Carl Storey, Spencer Brown, and they really help sell the songs, alongside the harmonies, which are superb.

I like the simple little banjo breaks that pop up throughout the album. In fact, if you can imagine The Eagles with a banjo, you’ll get a flavour of what this album is all about. It’s particularly noticeable on “Every Road” and “Now She’s Gone”. “Uncle Johnny” has a really fresh Country beat- the stand out Country track on the album. “As Long As I Got You” and “Too Late Tonight” are a bit more acoustic, but still work well. I really enjoyed the album. Check them out for yourself at www.hennessykeane.com 









OCTOBER/NOVEMBER 2009



GEORGE STRAIT
has been a mainstay of Country music for 28 years now. Whilst appealing to modern day fans, the modest Texan has 
never strayed far from his traditional routes. He has sold over 67 million albums, third only behind Elvis & The Beatles in album sales. 
He has never made a bad album, and his latest, “Twang” (Humphead) continues the formula that has stood him proud since 1981. The title 
track kicks off the album in a real catchy style. There are other up-tempo tracks on this new 12 track collection, but the title track is the 
highlight. He slows down the tempo on a few songs, like “Beautiful Day For Goodbye”, “Where Have I Been All My Life” and the steel 
laden “Out Of Sight Out Of Mind”. “Arkansas Dave” has a pure acoustic feel to it. There’s more than a Mexican influence on “El Ray”, 
which George sings in Spanish.. I do think it’s more of a novelty track than a serious recording. Another novelty on this album is a self 
penned song. For only the second time in his lengthy career, George has recorded three of his own songs. “Living For The Night”, “Out Of Sight” and “He’s Got That Something Special”, which certainly stands up against the other songs, contributed by the likes of Jim Lauderdale, 
Dean Dillon, and Doug Johnson.
He’s such a consistently strong seller, his albums always come highly recommended.

Someone who has been at the top of the tree even longer is REBA, who doesn’t seem to use her surname these days. Having sold 55 million 
albums worldwide, and notched up 33 Country Number One’s, nobody can match her. Her latest album, “Keep On Loving You” was released 
here on the Humphead label at the end of August. The album kicks off with a rather poppy number, “Strange”. There is also a video of this song on the enhanced CD. The song didn’t really do much for me at all. There are other pop numbers, but there’s also some more Country tracks. The title track is very traditional Reba. I really quite enjoyed “Consider Me Gone”. It’s a gentle soulful ballad, in a style that Reba has made her trademark. I also think that “She’s Turning 50 Today” is a very strong Reba song, that will strike a note with many of her fans. “8 Crazy Hours” also works well for me, but I do think that “Over You” is the strongest ballad on the album. Although she has a great delivery on her ballads, she has a couple of interesting uptempo numbers, including “Pink Guitar”, and “I’ll Have What She’s Having”. After a poppy start, Reba delivered a really enjoyable album.

Next up, DAVID NAIL‘s self titled debut album, also released on Humphead. He’s a young man from Kennett, Missouri, who has been 
dreaming of making it in Nashville since High School. We’ll he’s arrived, with a good solid modern Country album. He was involved in writing 
4 of the songs on the album, with other contributions from the likes of Aimee Mayo, Neil Thrasher and even Kenny Chesney. He has a radio 
friendly sound, with the highlights including the softer “Turning Home”, (written by Chesney), the opening track , “Mississippi”, Gary LaVox’ 
“Summer Job Days” and the self written closing track, “Missouri” about his homestate. For me, the strongest track would be the harmonica 
influenced “Strangers On A Train”. It’s a really strong debut album. David Nail is certainly a name to look out for!

Next up. we’ve got some great homegrown Scottish CD’s. It was a total surprise when I opened up the package containing RUBY RENDALL’s
new CD, “From Where I Stand”. It’s been many years since Ruby’s last CD, and it seems any attempts to tempt her back into the scene 
didn’t work. But she’s back, and the Orcadian Rose takes up where she left off. Her material comes from the Patty Loveless, Joy Lynn White, 
Nanci Griffith and Kim Richey style of Country music. Songs include “I Wish It Would Rain”, “Blame It On Your Heart”, “Little Tears” and 
“Nothing But The Wheel”. She still has hubby Sandy Mackay and long time band member Steve Watt playing on the album, with John Barclay, Brian Nicholson and fiddler Neil Hehir adding their touches to a superb Ruby Rendall sound. And family life has paid its dividends too. For her son Robbie adds his guitar skills to “MI Vida Loca”, and gets the closing instrumental track all to himself. The album is available from 
Rockapotamus Music in Inverurie, or contact Ruby through her new MySpace site: www.myspace.com/ruby rendall

Our next new album is from Glasgow based JOHN HINSHELWOOD & SANDRA GELLATLY. The duo are regularly seen as part of the Gram 
Parson’s influenced City Sinners band, but are also a popular duo playing in Folk Clubs and other venues. Sandra, originally from Canada, has 
been in Scotland since 2001, and the pair have been working together for the past few years. “Shattered Pleasures” is their first album together. It features nine original songs, plus
covers from Julie Miller, Gene Clark, and ex Pearlfisher David Scott. The lead vocals are shared throughout the album. On songs that feature both, like on the opening track, “Chance & Circumstance”, and “Slow Burning Fuse”, their harmonies work really well. John’s vocals show really well on Gene Parson’s (ex Byrds) “Tried So Hard”, and the sensitive “Long Way From Home”. Sandra’s “Any Road” and “Hear Your Voice”. I really enjoyed the closing track, “Dangerous Journey*, a good tempo number, which, again shows their harmonies, and some neat pickin’ as well. The album is made complete by some wonderful musicians, including Malcolm McMaster, Tim Clarke, Iain Barbour, Dick Drake , Colin McFarlane and Alasdair Robertsdon. It was all recorded in Glasgow. It’s a great homegrown original album, available from www.littleroots.com

KENNY WATSON is an Aberdeenshire based singer, who has been signed up by Pan Records (their first act with no Caithness connection). 
“KW’s Country” is a nice mix of Country standards, from the likes of Gail Davies, Lorrie Morgan and John Conlee. Songs include “Someone Is 
Looking For Someone Like You”, “Everybody’s Reaching Out For Someone”, “Rose Coloured Glasses”, “Maria’s Heading Out To California” 
and “Louisiana Saturday Night”. He recalls his former job as a long distance lorry driver with a cover of Jimmy Buckley’s “Truckers Wallet”, 
whilst his duet with Fiona Taylor on “Til A Tear Becomes A Rose” is probably the strongest track on the album. Kenny’s sound is easy listening, in the same style as many Irish Country acts. He’s backed by Phil Anderson, Gordie Gunn, Manson Grant, Robert Cameron, Keith MacLeod, and Richard Nelson, on the album, recorded in Wick. It’s a well produced album of catchy, though not overdone songs. He does a great job on them. I’ll certainly be looking out for more from KW.

SEAN O’FARRELL returns to Scotland for a series of dates this month (see dates in the Giglist), and marks the tour with a new album, 
“Think Of Me” (SoFar Productions). Sean’s sound is feel good easy listening music, with a good measure of nostalgia. This album continues 
the trend. He kicks off with “Tie A Yellow Ribbon”, and “Memories Are Made Of This”, and also features’ Don Gibson’s “I Cant Stop Loving You”, Eddy Arnold’s “Make The World Go Away”, and two Val Doonican numbers, “Walk Tall” and “The Special Years”. But there is also four of Sean’s own songs, including the very clever piece of tele-nostalgia in “When The TV Changed To Colour”. “Do You Like Me” is a catchy number, whilst “God’s Got To See That” and “When You’ve Loved The Best” are softer songs of family values, which Sean really does well. He has some familiar names working on the album with him, including Des Sheerin, Phillip Begley, Billy Burgoyne, Ray McLaughlin, Charlie Arkins and Richard Nelson. Backing vocalists include Crawford Bell, Trionagh Moore, Leon McCrum and Lorraine McDonald. He adds a little individual touch, by reading his sleeve notes on the CD. I’m not sure that it’ll catch on, but it’s a nice gesture that works for one of the nicest guys in the business.

Staying in Ireland, and SEAN WILSON celebrates 20 Years with a new double album, “You’ve Become The Dream” (H and H Music). 
Throughout the years, this Sean’s trademark has been happy singalong medleys, and this collection wont disappoint. The second CD features 
around 60 songs over a dozen medleys.
The first CD has 20 individual tracks, from Country standards like “If Tomorrow Never Comes”, “Tiny Bubbles”, “Tijana Lady”, ”Could I Have This Dance” and “Forever & Ever Amen”. I particularly liked the up-tempo “Daddy Did The Best He Could” and his cover of Joe Diffie’s “Home”. Sean is extremely good at what he does, and has a huge following. It’s not everyone’s cup of tea, but you can’t knock success. H&H have also released “The Nashville Years”, a 48 track 2 CD collection from recent Glasgow visitor, SUSAN MCCANN. This is, essentially 4 albums recorded by Susan in Nashville between 1980 and 1987, made available on CD. They include great songs like “Someone Is Looking For Someone Like You”, “Blue Jean Country Queen”, “Late Late Show”, “Hands”, “Radio Heart” and “No One Will Ever Know”. There’s three duets with the late Porter Wagoner, whose studio’s three of the albums were recorded. What’s most impressive is that the songs aren’t all well known covers. They are songs that Susan found, and made very much her own. Musicians on the sessions included Hargus Pig Robbins, Lloyd Green and Danny Davis and Tom Pick. This was Susan at the height of her career, and a nice sentimental package for her fans.

CROSS CANADIAN RAGWEED are not, as you would expect, a Canadian band. They’re from Oklahoma, but take their name from front man, 
Cody Canada. They’ve been around for over a decade now, but this, as far as I’m aware, is their first British release. “Happiness And All Other Things” was released by Humphead at the end of August, at the same time as their Stateside release. Their bio on their website suggests that they may be the last Southern rock band around, following in the footsteps of greats like Lynyrd Skynyrd and ZZ Top. That pretty well sums up this 12 track collection, which, apart from “To Find My Love”, which was written by Stephen Bruton, was written by Canada and fellow band members. It is a very rock sounding affair, with very little to appeal to Country fans, with the exception of the lovely folksy “Blue Bonnets”, which is wonderful. The closing track, “My Chances” is also quite a pleasant ballad. But in the main, this album did very little for me.

Humphead have also released a live album & DVD by SUGARLAND, which maybe makes up for the number of cancelled concerts they’ve 
missed this year. The duo did play Glasgow in March, but did cancel European, Irish, and more recently, US gigs.
So often, a “live” CD & 
DVD package, is essentially the same, and usually just a collection of their hits. Well, the CD was recorded across 5 different venues, from 
Atlanta to Red Deer, Alberta, whilst the DVD is entirely filmed in Lexington, Kentucky. Whilst their big hit, “Stay” is featured on both, you only 
find “Baby Girl”, their first hit, on the DVD. Instead we’re treated to a number of covers by the likes of Beyonce, Pearl Jam, REM and Kings Of Leon. I’m afraid, they kinda lost me with that musical mix. Their DVD was just another pop concert to me, but if you did enjoy them at the ABC earlier in the year, then I’m sure you’ll enjoy this impressive package.

Next up, a young Californian lady called CORINNE WEST, who is becoming a regular visitor to Scotland. She was back here at the end of September for dates in Castlemilk and Dunfermline, to promote her new CD, “The Promise” (Make Records). The album was recorded in Harrison Hot Springs, BC, after Corinne travelled up from California, and an engineer loaded up 1500lbs of recording equipment into a van and made the 2,500 mile trip from Nashville. Corinne has a unique folksy, old timey sound, sometimes coming over in a Mary Chapin / Shawn Colvin style. “Pollen” is quite a strong number. It has a soft, racey beat, whilst her voice remains pure and haunting. I also liked the more Country sounding “Lily Ann”. This would have to be my favourite track. All the songs were written by Corinne, with the exception of the slowed down cover of Nilsson’s “Everybody’s Talkin’ ”.It’s a really nice version of the classic song. It’s not done as a cover, as she has added her own sound to it. www.corinnewest.com

I had never heard of THE O’s before, but the sound on their “We Are The O’s” CD (Idol Records) was quite interesting. They are a Dallas, Texas based duo of Taylor Young and John Pedigo, who had been playing in a number of other bands until they joined forces in the summer of 2008. It is unusual to find the banjo being the most prominent instrument in an acts sound, yet I wouldn’t call their music bluegrass. The vocals lend themselves to more of a raw Americana singer songwriter sound. It’s just a mix that seems so rare, yet works really well. There’s not much detail on the CD sleeve. I’m assuming the songs are all original. The guys play all the instruments themselves, which, as well as banjo, include Lowebro, Tambo, Harmonica, Xylophone, Kick Drum and Guitar. Altogether it’s a really refreshing sound. It kinda reminded me of the sound created by Glasgow’s Humpff Family a decade or so ago. The album isn’t released here until November 2nd, but check them out at www.wearetheos.com Finally this time around, an album with a difference. Normally we get albums from singers and bands. But they would be nowhere without the songwriters. And it can be a mighty hard job getting people to hear your songs.

JOHN DAVIS is a Yorkshire based songwriter, who is busy pushing his music in Nashville, when he’s not playing in Atlanta, a Country Rock band, which John would love to bring to Scotland. But, in a bid to get his songs heard, he has got some Nashville session players to record ten of his songs. As you would expect, the Nashville sessions production was superb. (You have to remember, these singers want to get noticed too). The songs are all excellent, and certainly match up with those John will be pitching them against in Music City. I especially liked “The Cheatin’ Kind” and “Do You Really want Me To Go”, which were co-written with Katherine Willis, and feature girl singers. But other songs like “Wrapped Around My Finger”, “If You’re Looking For Love” and the slow ballad, “Couldn’t Love You Anymore”. It’s a really good album. I don’t know who the singers are, but they do a great job of John’s songs. The CD is available to buy for £5 + postage. You can email John at jd.songs@hotmail.co.uk

 

AUGUST/SEPTEMBER 2009

We start this time around with a new album from the ever popular NANCI GRIFFITH. “The Loving Kind” (Rounder) is her 
first album of new material for four years. During that time she has continued to visit here regularly, and indeed, performed 
some of this new material during her Glasgow concert at Celtic Connections back in January.The title track has had a fair 
bit of airplay since being featured on the Celtic Connections promotional CD. It’s a delicate song, with a strong social 
message, about a couple who fought the racial segregation that shamed, and changed America, back in the fifties. It’s a 
beautifully delivered true story song. There’s even a picture of the Loving couple in the accompanying booklet. Sadly, 
Mildred passed away in May 2008 (her husband passed away in 1975). It’s sad that this song has only appeared after 
her death. Nanci certainly doesn’t shy away from voicing her conscience. “Not Innocent Enough” is another story song, 
this time about one Phillip Workman, who was sentenced to death by lethal injection in Tennessee in 2007. There’s other 
songs inspired by Townes Van Zante and Lyndon B Johnson. There’s even a couple of Scottish connections. Firstly, the 
sleeve notes were written by Nanci during her visit here in January. She signs them, “Glasgow, Scotland, January 2009”

“Still Life” was co-written with our own Ricky Ross (who presented the short lived Brand New Country replacement, 
“Another Country” series on Radio Scotland). The album features 13 tracks, nine from her own pen, and four covers.
Two of the covers are from the pen of Nanci’s hero, Dee Moeller, including the real honky tonk sounding “Tequila after 
Midnight”. There’s a classy cover of Edwina Hayes’ “Pour Me A Drink”. The sleeve notes reveal that Nanci first heard Edwina in Nashville, when she sang her “Late Night Grand Hotel”. A nice way to return the compliment. Other musicians and singers appearing on the album include Elizabeth Cook, John Prine, Richard Dobson, Tim Carroll and Todd Snider. Nanci has 
excelled across many musical boundaries, from folk to jazz, and even rock’n’roll. This album is one of the most Country 
recordings she has done. In fact, I rate this as one of my favourite Nanci Griffith albums.

JOHN RICH has had quite a varied career to date. We first found him as lead vocalist with Lonestar, then as part of 
Big & Rich, he had amazing success.Now “Son Of A Preacher Man” (Humphead) brings us the real John Rich – the solo artist. The album kicks off with “Shuttin’ Detroit Down”, and like Nanci Griffith, has social comment about the bosses and the bankers taking the big bucks, whilst the workers paid the price. Then he gets all patriotic on “The Good Lord And The Man”. There are Big & Rich influences, especially on “Everybody Wants To Be Me” and “Turn A Country Boy”. There are ballads too. “Why Does Somebody Always Have To Die” is particularly thought provoking, linking his brother being run down by a train, to a five year old killed by a drunk driver, to Jesus on the cross. Heavy stuff. Definitely not a Big & Rich number. The album closes with a big band sounding ditty, “Drive Myself To Drink”. Don’t worry, he’s taken the wheels off the car, and put a bar in the back. It’s different. It’s not Country, but it’s refreshingly different. The title track is a good Country number, which I really enjoyed. In fact, I really enjoyed the whole album. I was never a fan of Big & Rich, but as a solo artist, John Rich sounds great.

There’s no questioning DAVID SERBY’s musical commitment. “Honkytonk And Vine” released in Britain on the Harbour Grove label on August 10th, is one of the strongest Bakersfield sounding albums since Dwight Yoakam first burst onto the scene. There’s 13 tracks of superb self written Country music.The album kicks off with the rather racey “Get It In Gear”, before bouncing along quite nicely with “You’re Serious” , “Don’t Even Try” , “Country Club Couples” and “Chasin’You”. There’s some nice accordian on “For Cryin’Out Loud”. There’s a catchy bluegrass feel on “The Grass Is Always Bluer”, whilst “The Heartache’s Always On The Other Sleeve” has a quirky old time fun sound to it. The tempo slows for “Tumble Down” and “I Only Smoke When I’m Drinkin”, but in the main, this is a real uptempo fun honky tonk party album. David has a totally refreshing sound, and I really enjoyed this collection.

Closer to home, and we have a couple of homegrown releases this month. ARTHUR POTTINGER is from the Northern Isles, and has been singing Country music since the 1950’s. He was a well known figure on the Scottish Country scene, playing with a number of bands, and has made a couple of albums, for Grampian Records in the 60’s and Orkney’s Attic label in the 80’s. He sang with the late Thomas Fraser. Whilst Fraser was best known for reviving old Jimmie Rogers songs, it was Hank Snow who was Arthur’s major influence. For his new release, “Tracks In The Snow” on Caithness based Pan Records, Arthur has recorded a dozen songs made famous by “The Singing Ranger”. He has avoided the obvious choices of “I’ve Been Everywhere” and “Movin’On”, but does include “A Fool Such As I “ and “I Don’t Hurt Anymore”, as well as lesser known Hank Snow songs like “The Gold Rush Is Over”, “Beggar To A King” and “Honeymoon On A Rocket Ship”. Throughout the album, Arthur is in fine voice, and the instrumentation is superb, with Philip Anderson, Gordon Gunn, Bryan Coghill, Richard Nelson, Robert Cameron & Manson Grant all playing on the album. This is a superb tribute to Hank Snow, but also 
a great album for Arthur Pottinger. A definite must have for any traditional Country music fan! Available from www.panrecords.co.uk, or Tel 01955 602646.

DAVID FERRARD is an American born folk singer based in Edinburgh. His new album, “Across The Troubled Wave” (Alter Road Records) is a very interesting collection of songs that bridge traditional Scottish folk to old time American music. The album kicks off with Pete Seeger’s “Peg And Awl”, which has a wonderful old timey bluegrass feel to it. Other tracks with a Country feel include “Calling My Children Home”, and “Hard Times Come Again No More”. “A Rovin- On A Winters Night” is based on Doc Watson’s version, but on the sleeve notes, David highlights the similarities of this American traditional number, with Robert Burns. And that’s a theme that runs through the album, It’s a real mix of Celtic and wonderful old time music, recorded in North Carolina, and beautifully packaged. 
David has built up quite a following in recent months, with shows at Glasgow Americana Festival. A really enjoyable listen. Available from www.davidferrard.com

Moving up the coast to Dundee, we find LAURA McGHEE, whose album , “Celticana” has been getting some rave reviews. As the album title suggests, like David Ferrard’s album, this is a mix of Celtic and Americana music. The young Taysider, who is a superb fiddler, travelled to Nashville to record the album, although most of the material is self penned. The stand out track for Country fans, has to be “Memphis Crawl” which she co-composed with Jim Lauderdale. She came up with the tune, and Jim provided the words. The fiddle also comes out strong on “Ain’t Convincing Me” and “Radio Love”, whilst “Careless” is a raunchy Country rock number which is really catchy. Laura has a very individual vocal style, the closest comparison I can think of, being Carlene Carter. But add her vocals to her fiddling prowess and her songs, and Laura is certainly someone we should be proud of.

The biggest Country music family dynasty continues with the release of “Here With Me”, the new album from HOLLY WILLIAMS. Holly is the daughter of Hank Jr, and granddaughter of Hank Snr. Holly has a completely different sound to that of her dad, granddad, or brother (Hank III). This is her second album, released here in Britain on the Humphead label, following her short visit a few months back opening for Sugarland. I have to say that this is a much more mainstream and commercial album than her debut. Eight of the 11 tracks were written by Holly, who has been likened to Mary Chapin Carpenter in reviews. There are some quite catchy up-tempo numbers like “Mama” and “A Love I Think Will Last”, which should be radio hits. She really rocks it up a bit on “Keep The Change“ , whilst she really shows her talents as a ballad singer on cuts like “Making A Fool Out Of You”, “Alone” and the very Chapin-ish “Without Jesus With Me Here”. The album closes with Holly’s version of Neil Young’s “Birds”. I was quite impressed with this album. There was a lot of variety, 
and Holly displays herself as a very versatile singer and songwriter.

The UTV COUNTRY FEST is held at the beginning of August, featuring big American names like Randy Travis, Leona Williams, Hal Ketchum and Doug Stone, alongside a string of Irish artistes. To promote the Festival, and to raise money for The Meningitis Trust, a 30-track double CD featuring many of the artists has been released by Sharpe Music. The project kicks off with a “Band Aid” type song featuring many of the acts, both American & Irish, singing “The Ties That Bind”. It’s a really nice, if a little sentimental, number. Then it’s a mix of recent album tracks and old hits. Hal Ketchum offers “In Front Of The Alamo”, Doug Stone has “Fourteen Minutes Old”, and Leona Williams offers “You’d Be Home By Now”. Plus, Hugo Duncan, Mike Denver, Kieren McGilligan, Stephen Smyth, Frank McCaffery, Joe Moore, Philomena Begley, Roly Daniels and many more. If the festival is part of your calendar, it’s a great memory of the event. If you didn’t get to Belfast, then this is a neat consolation.

Staying in Ireland, “Howl On” is the new album just released from Northern Ireland’s BAP KENNEDY. Bap first emerged on the Belfast music scene, playing in a punk band. These days (30 years on) he is one of the area’s most respected singer songwriters. This is his 4th solo album. The album features quite a journey for Bap. He starts the album in “America” , before the catchy “Cold War Country Blues”, which has his outlook on the sixties, when we were under the threat of the cold war, yet spend resources going to the moon. He has a thing about space travel, as he also has “The Ballad Of Neil Armstrong”. In between time, he tells of an “Irish Moon”, and has a “Last Adventure”. I’m sure it wont be. Bap is a superb singer & writer. The album was recorded in Northern Ireland, but the cover photo taken in Nashville. His wife, Brenda, who also has a new album out, adds harmony throughout the album.

Back to Nashville, and 22 year old Belmont graduate STEPHANIE LAMBRING has just released her debut album, “Lonely To Alone”. The release follows a 3 week UK tour back in March for the Indiana native. The album is a laid back acoustic collection of her own songs (ten of the eleven tracks). The songs are pleasant, but do all tend to be rather slow. She has a beautiful voice, and the simple accompaniment make the songs rather special, but the odd up-tempo number would’ve just made the album. My favourite cuts would be “Tonight”, “If I Could” and “Cant Help Me Now”. I liked her voice, and look forward to hearing more from her in future. The album is available by contacting Stephanie through her www.myspace.com/stephanielambring website.

Our final selection this time around, comes from MADISON VIOLET, who are Brenley MacEachern and Lisa McIsaac, who hail, according to the press release, from “Scottish small towns in Canada”. They have been together for over 10 years now, and “No Fool For Crying” is their 5th album. The have been likened to Gillian Welch, Steve Earle & Alison Krauss, but their main attribute has to be their beautiful harmonies. I also hear influences of The Judds, The Dixie Chicks and The Girls Next Door (remember them?) They came to London to record this album , and it really has worked for them. As I say, their harmonies stand out, especially on the opening track, “The Ransom”, the bluegrassy “Lauralee”, and the beautifully haunting “Small Of My Heart”. Check out more at www.madisonviolet.com, and catch the 
girls at Glasgow’s Twisted Wheel on Friday September 18th.

 

 

June/July 2009

 

We’ll start this month with a wonderful project from western singer RW HAMPTON. “Oklahoma… Where The West Remains” is a wonderful insight into a century of one of the most important states in America’s modern history. Over time, Oklahoma has been the western front, for those making their way from the more populated eastern states. It’s been an important breeding ground for Country music, being the birthplace of such stars as Reba McEntire, Garth Brooks, Hoyt Axton, Becky Hobbs, Mel McDaniel, Hoyt Axton and Gail Davies. RW Hampton isn’t a new name on the Oklahoma music scene. He has recorded no less than 11 albums to his credit, including Country Gospel and Christmas offerings. But this is the first album to get a release in the UK (Savannah Music, distributed by Proper). The album runs over an hour, as RW tells the state history in songs and narrations, The narrations are delivered in an interesting manner, and the songs are just so refreshing to hear. Many are originals, from the pen of RW, Edna Mac Holden (who produced the album) and Richard E. O’Brien (who done the arrangements), but you’ll recognise such classic’s as Jack Guthrie’s “Oklahoma Hills” and Cindy Walker’s “Dusty Skies”. There’s tributes in here to Bob Wills too. All the songs are well produced, and the whole project, whether you’ll appreciate the history of Oklahoma, or just the western music, it’s a truly enchanting CD.

Next up, we head for Caithness, and a new album from KEITH MACLEOD, who will be known to fans of Manson Grant & The Dynamos, as Keith has regularly performed alongside Manson & Robert. “In My Fathers Words” is a very apt title for this ten track original album. For all the songs were indeed written by Keith’s dad, David. A few of songs may sound familiar, as several have previously been recorded by Manson, and Mike Devine. The album is quite old fashioned sentimental Country, but Keith does the songs proud. Most are story songs, from “Boothill By The Depot”, about a dying hobo, to “Crazy Things” about the things kids say, to the different emotions of joy & sadness in “Heather’s Tears”. The CD booklet has the lyrics, and each song is introduced by David. Not only people & situations, but a variety of places from Dornoch to Watten inspired these songs. The instrumentation is superb. Charlie Arkins plays harmonica & fiddle, Richard Nelson on Steel , and John Macrae on pipes, adds to Keith’s musicianship on all other instrumentation. There’s no doubt that there is a huge Manson Grant influence on the album’s sound, but Keith really does a great job on these songs. He’s certainly done his dad proud! Available from Pan Records (www.panrecords.co.uk, or Tel 01955 602646)

Staying in Scotland, a long overdue album from SPRINGFIELD has just arrived. The quartette, led vocally by Jim Brett, are one of the longest running bands in the Central belt. This album, recorded in Lanarkshire features Jim, alongside fellow members Crawford Brown, John McPherson and big Tom McCarthy, with guest musicians Willie Gamble on steel and Steve Johnson on piano. The choice of material is really varied from the title track, “For Sale” (Heather Myles), through classics like “Louisiana Saturday Night”, “Bandy The Rodeo Clown” and “I’m Gonna Change Everything”, to lesser known covers like Paul Overstreet’s “Love Never Sleeps”, which opens the album, Travis Tritt’s “Sometimes She Forgets” and “Mary’s Just A Plain Jane”, previously recorded by Rick Trevino. A great variety of material, well produced, right here in Scotland. If you’ve seen Springfield, you’ll know what to expect. This album will be well worth picking up the next time they visit your club.

Last month’s Glasgow Americana Festival brought some great talent to the city. To coincide with their visit, HOT CLUB OF COWTOWN released their first studio album since 2002, featuring Elana James, Jake Erwin & Whit Smith. Originally Elana & Whit formed the duo in New York back in 1996, with Jake joining in 2002. Their sound has roots in jazz and western swing, with quite a few other international influences thrown in for good measure. Some of the more Bob Wills sounding tracks, like “Cant Go On This Way” and “Columbus Stockade Blues” are great for Country fans. Some of the other tracks may not instantly strike a chord with readers. “Someone To Watch Over Me”, for example has a haunting vocal arrangement you would associate more with a smoky jazz club, that a Texas Dance Hall. They also do a distinct version of “Georgia” and Tom Waits’ “Long Way Home”. There’s some instrumental magic on offer too, with the “The Magic Violin”, which as well as fiddle, has an impressive drum solo. Hot Club Of Cowtown have an interesting album in “Wishful Thinking” (Proper), but it may be an acquired taste.

Another visitor to Glasgow Americana was Indiana raised OTIS GIBBS. Otis seems to have led quite a colourful life. He’s worked at everything from driving an Ice cream van to stacking concrete blocks. In music, he’s recognised as a folk singer, but having performed for anti war protesters in places as far apart as Texas and Czech Republic, and planted over 7000 trees, you get the picture, that he is quite an honest, earthy character. He first sang on stage at the age of 4. He sang Jimmie Rodgers’ “Waitin For A Train”. It’s a sound that has never left him. He lives in Nashville these days, where he recorded this album, titled “Grandpa Walked A Picketline”. It certainly has a Country sound, in a heartland of America way. All the songs are self penned. He has a gritty unpolished vocal style, which suits the songs here. “Caroline” kicks it all off, with a story of a girl who suffered domestic abuse. Other tracks of note include “Preacher Steve”, “Long Black Thunder” and “Ghost Of The Domplate”, which has some nice steel guitar. The album ends with a superbly delivered, “Bury Me On A Rainy Day”. It’s certainly a different sounding album. Very basic arrangements. Very earthy – just like Otis himself.

New York City based ANNIE KEATING played Dunfermline & Inverness as well as Glasgow’s Americana Festival. Her album, “Belmont” on her own label, is quite a masterpiece. All 11 tracks are self compositions (the title track gets encore), and finds Annie coming over as a Mary Chapin/ Shawn Colvin/ Nanci Griffith type songstress. The title track is inspired by the Massachusetts town where she grew up “Drive” has a good beat, and “I’ve Got You”, another uptempo number, offers some neat harmonica. “On The Road By Ten” is quite a bluesy number, whilst “Flowers Bloom” has a Nanci Griffith-ish simplicity about it. My favourite tracks would include “I Want To Start Something With You” , and the opening track,“For The Taking”. She has involved an army of musicians in the creation of this album.. Most are playing fiddle, accordion, acoustic guitar and bass. I hadn’t heard of Annie Keating before her visit here. But I’m sure we’ll hear a lot more of her. She has a good commercial country/folk sound, and “Belmont” is a great introduction. (www.anniekeating.com)

By contrast THE STAIRWELL SISTERS have a very old timey sound on their album, “Get Off Your Money” (Yodel–Ay-Hee). These 5 girls, from San Francisco, took in 10 date Scottish tour last month, from Stornoway to Peebles, and from Irvine to Inverness. Their album was produced by Lloyd Maines (remember The Maines Brothers?), and features a variety of styles for banjo, bass, dobro, fiddle and guitar. There’s instrumentals, and vocal arrangements. My favourite tracks are the melodic vocal “Cinderella” , and the racey “Who’s To Blame”, the footstompin’ “Stay All Night”. It’s certainly a feel good back porch party sound. Really refreshing. One of the best albums from south of the border (down Berkshire way) next.

THE BIG RIVER BANDITS features female vocalist Renee Sears, alongside Gerry Power, Paul Edge, Brian Martin and Ken Smith. Their debut album, “The Single Life” offers quite a variety of styles, mostly Country, although a couple of tracks veer towards 60’s pop. It’s all original material. The album kicks off with the party influenced “Girls Night Out” , and follows with the equally infectious “Highwire”. They add a bit of rockabilly with “She Dont Care”, and a kinda Patsy Cline big band shuffle sound on “You Ain’t Gonna Get My Heart” “I’m Doing Fine” has a neat harmonica in the mix, which works really well., Then there’s the heart wrenching “You Took My World With You”. It has a real classic Country sound. And the album ends with a real old time sounding “Outlaw On The Run”, complete with the sound of a crackling campfire. These guys really cover quite a spectrum throughout the album’s 12 tracks. Each track is really well produced, and it makes for a really refreshing album. Check them out at www.myspace.com/the big riverbandits. The Humphead label continue their “Ultimate Collection” series of material, originally released by the MCA Nashville label.

The latest CD features TANYA TUCKER, who was a child star when her career launched back in the 1970’s. Most of her early, pioneering hits were on the Epic label. She switched to MCA in 1975 for about five years, before moving onto Capitol. Her MCA days were real growing up times for Tanya. It was around this time, she had a well publicised affair with Glen Campbell. She recorded a couple of duets with Glen, including “Dreamlover” which is featured as one of the 24 tracks on this new release. She also teamed up with Mike Chapman to do a very “rock” record during this time, which saw her cover Suzi Quatro’s “Tear Me Apart” and Smokie’s ” So Think You Know How To Love Me”. Nothing from this era in her career features on this collection. There are a few songs from her TNT album, which was best remembered for it’s really hot cover. It’s good to hear some of these tracks again. Tanya had over 65 Country chart hits, only 17 of which were on the MCA label. All but one, are featured on this album. The one they missed was a moving “Save The Seals” anthem called “Save Me”, which I recall was released here in the UK as a single at the time. The time span covered by this Ultimate Collection is hardly Tanya’s most productive period, but it was certainly colourful. Despite that, there’s some great songs on here, including “Pecos Promenade”, “San Antonio Stroll” and “Texas When I Die”. They’re well worth a place in your collection.

Donegal’s ELAINE BOYLE is one of the newer names on the Irish scene. Already she’s been making inroads into the Scottish scene, through her appearances on the recent Ladies Of Country & Pride Of Ireland shows. She also toured with Gary Gamble last year. Her album “We Should Be Together” is a very well produced collection of popular Country hits, a mix that works well with audiences. She has covered a couple of Tanya Tucker numbers (“Texas When I Die”, “Strong Enough To Bend” & “Love Me Like You Used To”) as well as Reba (I’m Not That Lonely Yet”) and Lorrie Morgan (“Walking Shoes”). She digs deeper into her parent’s collection to find “Everybody’s Reaching Out For Someone” (remember Dottsy?) and the title track was originally done by Crystal Gayle. Whilst Elaine does a great job on these, and the Patsy Cline medley, it’s Hazel Dickens’ “A Few Old Memories” which stands out for me. It’s the one song that really shows how good her voice really is. Elaine’s a lovely girl, great personality, and I really have to say that I thoroughly enjoyed this album. Yes, it’s an album of covers, but they’re not the songs that everybody covers, and she does these one’s so well. A star for the future!

Another Irish album that I was particularly impressed with is “Restless Ramblin’ Man” from CHRIS McLERNON. This time it’s a 100% original offering, with Chris having written all 12 tracks. They vary from the upbeat title track, “Old Log Cabin” and “Walking Round A Dirty Old Town” to the slower “Dylan & Old John Prine”, “Down River Road” and “That’s My House”. They’re all quite simple arrangements, and the tunes, whilst original, do sound familiar. It’s just one of these catchy albums that clicks instantly. The album is produced by Clive Culbertson , recorded in Coleraine and features musicians like Aine Whelan, Tony Phillips, Rod McVey and John Fitzpatrick with an array of instruments like Fiddle, accordian, Dobro,Mandolin,Banjo and Ukelele as well as guitar and piano. Well worth a listen.

Texan based guitarist BRYAN CLARK had a very mixed musical upbringing. It seems everyone from Joni Mitchell, The Beach Boys, Elvis Costello, XTC and Ricky Skaggs gets a mention in the bio which accompanied his new double CD, “ Gossip, Inspiration and Slander” (Rainfeather) .It’s really two CD’s in one package. The first CD is “Acoustic” and the other “Electric”. Only three tracks on each CD is the same, and, as it happens, they are the tracks which stand out for me, on either version. The Acoustic CD features a variety of musicians playing banjo, fiddle & dobro. There’s catchy little instrumentals like “Blackberry Blossom”, “Dom On The Saddlehorn” and “Bill Cheatum”. The Electric CD surprisingly has less musicians than the acoustic record. Everything is Bryan, except for two guest spots on individual tracks. Some of the tracks, notably “Midnight Kisses” , “The Way It Is” and “Down In Flames” will fit quite nicely on Country radio. The CD closes with a strange instrumental, which sounds like it should’ve been on the acoustic CD. It’s certainly an interesting project. Check it out at www.bryanclarkmusic.com

Our next album, is from Chicago based ALICE PEACOCK. She went to Nashville to record her fourth album, “Love Remains”. Our copy is a review copy, which has no songwriter or musicians info, but over the 15 tracks, we can determine that Alice has a hi energy Country rock feel, kinda reminiscent of singer songwriters like Wendy Waldman. She can also do a mean ballad, as shown on “Lovely” and “Angel”. The title track, which closes the album is one of the most commercial tracks on the album. I also enjoyed “City Of Angels”, one of the faster numbers. The quality of Country music from other European countries never fails to impress me.

STEFF NEVERS is from Norway, and has just landed a major label deal with his album “Closest To My Heart”.(AGP/Universal). The album was recorded in Nashville with such top notch players as Eddie Bayers, Paul Franklin and Brent Mason. The result is a great totally Country album, featuring some of his own songs, and a couple from Billy Yates too. Billy’s “Alphabet Song” is given a great treatment- a superb tribute to Country heroes. There’s also a Hag tribute in “Merle Made Me Do It” , which also extends to Lefty Frizzell. “Party At The Farm” and “He’s Not Here Saloon” both have a good honky tonk feel to them. Then there’s “Redneck Rehab”! There’s some great fiddle to kick off the feel good song “Keep It Up”. He can slow the tempo down too, with “Stay For A While” and “Higher Ground” All in all, a superb Country album. Watch the name – you’re gonna here more of Steff Nevers.

Back to the USA, and let me introduce you to MICHAEL SCOTT. It could be that Michael is on the verge of achieving what his father failed to do. His dad was an aspiring Country singer, and made several trips to Nashville from the family home in Milwaukee, but failed to get that elusive break. Well here’s Michael with an album “ Bring It On” (AGP/Univeral) getting a European release. It’s not a bad effort either. My favourites would have to be the title cut, “Leaving and Gone” and “Somebody’s Praying For Me” My only issue would be that Michael doesn’t have a distinctive enough sound. There’s too much of a Tim McGraw/Toby Keith and countless other hat acts sound on this album. Having said that, it’s a radio friendly sound, so he should get plenty of airplay. “Bring It On!”

RANDY TRAVIS, who turned 50 last month, is coming to the UTV Festival in Belfast, and the Humphead label have taken the initiative to release a Double CD featuring 32 of his hits. They’ve also picked up on Carrie Underwood having recently covered Randy’s “I Told You So”, that they have used the song as the title cut. All the biggies are here – “Forever & Ever Amen”, “On The Other Hand”, “Digging Up Bones”, “Three Wooden Crosses”, “1982”, “Just A Matter Of Time” to name just a few. It’s a stunning collection of material from the voice, once considered “New Country”. We know now, that Randy was the voice of traditional Country forever.!

STELLA PARTON, Dolly’s wee sister, was a recent visitor to Scotland, as part of The Ladies Of Country tour. To tie in with the tour, Stella released her new album, “Testimony” (Attic Records). Although best remembered for hits like “Danger Of A Stranger”, Stella began her career in gospel music, and this album returns her to the “Positive Country” fold. Stella wrote, or co-wrote all 11 tracks on the collection, which features some really gospel sounding numbers, like “I Will Arise”, “Trophy Of Your Grave” , and “Daughter Of The King”. Other tracks are heavy on family values, including “Family Ties”, “Tell It Sister, Tell It” and “Virtuous Woman”. The stand out tracks for me include “Keep On Walking”, and “No Pride At All”, which has that unique Stella sound from the days she was hitting the charts. Some of her fans may find this album just too religious, but she certainly does a great job in singing her own message in song. I found the album a refreshing change to much of the over produced Country chart material coming out of Nashville these days.

BYRON HILL is quite an accomplished songwriter in Nashville these days. He’s responsible for loads of hits, including “Fool Hearted Memory” (George Strait,), Lifestyles Of The Not So Rich And Famous” (Tracy Byrd), “Politics Religion & Her” (Sammy Kershaw) and “Nothing On But The Radio” (Gary Allan), to name just a few. Now Byron has his own album, “Stay A While” (BHP). There’s 12 tracks, of which two will instantly get recognition for their tribute factor. “Blame It On Kristofferson” and “You Ain’t Chet Yet” are very different songs, but speak for themselves. I also enjoyed “Way Too Long”, and “The Photograph”, which have a kinda George Strait sound , whilst the more mid tempo “Life’s A Ditch” is perhaps more like a Mark Chesnut hit. George Hamilton IV would do a great job on “All The Home I Need”. When you listen to a songwriter’s album, you do tend to think, who had he in mind when he wrote this. Then the album finishes with a song called “My Daughter’s Father”, with the line, “What I Need To Be Is Myself”, and you realise this whole album is Byron himself. It’s a great little, thought provoking, song about dreaming of being something we’re not, when we just need to be ourselves. It’s a song many singers may have their eye on, but it’s Byron’s own. It sums up the whole album. He’s written for others for years. This album is Bryon Hill, by Byron Hill. It’s a good selection of songs, good enough for the stars. But the man himself doing them just makes them that little bit more special. Check him out at www.byronhillmusic.com

A great album to end our roundup for this edition.

 

 

April/May 2009

This time around we’re going to start in The Faroe Islands, north of Shetland, which never fails to impress with its’ production of traditional Country music. I doubt if many musicians in Nashville have even heard of the place, let alone played there, but they certainly love the traditional sounds. OLIVER (Olavur Hojgaard) is not the first Faroese artist I’ve reviewed in these pages, but he continues the trend of producing excellent real Country music albums. Perhaps it’s because of its’ remote location, that Country music there has remained so pure. To record this album, Oliver travelled to Nashville, to record his album “When I’m Dreaming” on Music Row, with players like Charlie McCoy, Wanda Vick, Lonnie Wilson, David Hungate and Brent Mason.All the songs are original, either written by Oliver, Martin Joensen or Lena Anderssen. He has a track on the album called “Gotta Go To Nashville”, which, of course, he did making the album. It did concern me that the traditional Country music sounds of The Faroes was selling out to the commercial Nashville scene, but I’m glad to say that there is no sign of that. The title track from the album has already received a bit of airplay from being included on the Hotdisc Rush Released Radio CD, which Jackie reviews in his column. Other tracks that I particularly enjoyed included “Baby Just Talk” and “My Horse And My Saddle And I”. But, really, there isn’t a bad track on the album. If you like real, traditional Country music, this is one for you (www.oliver.fo)

From Nashville comes RANDY HOUSER. His new album, “Anything Goes”, released here on the Blue Wrasse label has been, in his own words, “25 years in the making”. Randy got his break after writing Trace Adkins big hit, “Honku Tonk Badonkadonk”. That made people sit up and take notice of Houser. My initial impression was that this was quite a rocky affair, especially on the opening track, “Boots On”, and on numbers like “My Kind Of Country”, “Strange” and “Paycheck Man”. These tracks didn’t do much for me at all. But as I gave the album another listen, I found that he could handle a mean ballad too. The album’s title track is such a ballad. Well sung, and one that’s certainly made for Country radio. “Something Real” also falls into this category. Vince Gill joins Randy on the Jon Randell / Al Anderson composition, “How Many Times”, which more of an old fashioned soul ballad than a Country number. The closing track, “I’ll Sleep” is the most Country track on the album. It has a distinctive George Strait sound. That could be Randy’s problem. On balance, this ain’t a bad album, but he just doesn’t have a sound of his own. He just sounds like every other male singer in Music City. Nashville seems to be in an open door to entertainers from other genres these days. Whether you’re a dancer on ‘Dancing With The Stars’, or more famous for your movies, there’s an opening in Nashville for you (whilst the real Country singers can’t get a break). The latest name to appear is actor KEVIN COSTNER. He and his band, ‘Modern West’ have just released an album of modern Country music, called “Untold Truths”. In truth, it’s not a typical Nashville album. He used four different Music City studio’s as well as ones in Santa Barbara and Los Angeles. None of the players are names you would instantly recognise from a Nashville album. The “Bodyguard” and “Dancing With Wolves” actor isn’t new to music. He was in a band called “Roving Boy” before he made it in Hollywood. He describes the album as “Roots rock with elements of Country”. He cites his influences as Mellencamp, Tom Petty and Springsteen. All of these influences come through on the album. There’s lots of twanging guitars.I did find the album quite listenable. Costner has quite a good voice, suited to these songs. It’s not a bad album, but directing it towards Country music fans may not be the best direction to promote his singing career.

Directing his music towards Country fans hasn’t done RAUL MALO any harm. The voice of The Mavericks, who was recently in Northern Ireland for the Belfast Nashville Songwriters Festival has a new album, “Lucky One” just released here (Fantasy label). Raul comes over quite relaxed on this album, but then his sound is more inspired by the crooners than the cowboys. That’s not to say it’s not a bad album, I really quite enjoyed it. It was refreshing to hear an album this different. There are uptempo , Mavericks type tracks, such as “Something Tells Me”, “Hello Again” and , especially “Lonely Hearts”. The other tracks have quite a “retro” feel to them, which should appeal to a wider audience. Every track was co- written by Malo, and recorded at Sound Shop Studio in Nashville. I was never a huge Mavericks fan, and wasn’t taken with Malo’s previous solo outing, but I really found “Lucky One” to be a huge blast of fresh air.

Moving on down to Texas, and we find KIMMIE RHODES heading our way for a concert at Glasgow’s Classic Grand on May 2nd. Her music is Austin certified, and her songs have been recorded by everyone from Emmylou and Willie through to Wynonna and Peter Frampton. To tie in with her visit, her “Ten Summers” CD, originally released in 2005, is being re-issued here on April 19th on the Sunbird label. The album features the pick of her music during the 1995-2005 period, and includes collaborations with Waylon Jennings, Townes Van Zante, Willie Nelson, Emmylou Harris and Beth Neilson Chapman. All 14 tracks are written by Kimmie. The stand-out tracks are the Waylon duet, “Maybe We’ll Just Disappear”, and the beautiful “Love & Happiness” with Emmylou & Beth. There’s some nice music on here. I find Kimmie quite easy on the ear, and music is never overdone.

Staying with the American girls, and Long Island raised DIANA JONES paid us a quick visit last month, with dates in both Glasgow & Edinburgh. To tie in with the tour she released her 4th album, “Better Times Will Come”(Proper Records). Diana’s first break came when she had a song cut by Joan Baez, but it was her third album ,”My Remembrence Of You” in 2006 that really got her noticed. This album should further gain her recognition. Diana has a beautiful deep folksy voice, which works really well on the songs, which are all from her own pen. Guests on the album include Mary Gauthier and Nanci Griffith. The album includes Henry Russell’s Last Words”, the song which Joan Baez cut all those years ago, and “If I Had A Gun”, which Gretchen Peters fans may recognise. I really enjoyed the album, especially “All God’s Children”, “Soldier Girl” and “Evangelina”. Diana wont appeal to the pop Country fan, but if you like your Country music, veering towards folk, bluegrass and old timey influences, then this could really be one for you to treasure.

We’ve had quite a few new releases from south of the border in the past few weeks.

The first release on internet radio station CMR Nashville’s own label is “Butterfly In A Hurricane”, from 16 year old BRIANIE. Whilst Brianie recorded her vocals in Sailsbury, the music was produced in Nashville by Mark Moseley. Whilst possessing a strong voice, she has that “little girl” feel about the album, and it works really well on tracks like “Daddy’s School”, Lorna Flowers’ “I’m Not Ready Yet” and “Mama Tell Me”. She really does really strong versions on these numbers. Unfortunately she struggles with more uptempo numbers like “I Still Think About You” and “High Performance Woman”. Having said that, Brianie, is still young, and has plenty of time to perfect her craft. If she’s dedicated enough, she’ll make it.

BEX MARSHALL, originally from Devon, now bases herself in London. She is well travelled with her music, and has secured the talents of Hayseed Dixie’s Don & Dale Ross to play on her new album, “Kitchen Table” (House of Mercy Records). All ten tracks on the album are from Bex’s own pen. They are difficult to categorise. There’s traces of contemporary singers like Rosanne Cash , Mary-Chapin, Tift  Merritt etc. Her voice has a raunchy bluesy edge to it, which works well on tracks like “Kitchen Table”, “Hot Headed Guy”, “Bad Bad Girl” and “Too Much Rock’n’Roll”. The voice isn’t so raunchy on the softer “Here Is My Heart” and “Head In The Clouds”. As if 10 original tracks aren’t enough to be going on with, Bex also gives CD buyers a recipe for Blackened Sticky Chicken Surprise (she did win on ITV’s Home Guest programme back in November). This isn’t traditional Country, but if you like original girl singer songwriters, be sure to check her out at www.houseofmercy.net

From an all original album, we head north to Manchester for an album of modern Country & linedance favourites from CACTUS JACK. “New Horzons” covers songs like “Some Beach”, “We All Get Lucky Sometimes”, “I Just Wanna Dance With You”, and “Friends In Low Places”. There’s 14 in total, all down in a very listenable style. Cactus Jack has been playing his music in Spain for the last few years, but is now back home, and, if this album is anything to go by, will settle in nicely to the scene here without too much trouble. Enquiries about the CD, and Cactus Jack, email cactusjack1947@yahoo.com

PATSY PETERS was born in Belfast, but now lives in London. As well as music, she’s regularly been on TV, on as diverse programmes as “The Bill”, “The Lenny Henry Show” and “Jack The Ripper”. But music has always been her love. And although previous albums have seen her jazz and mellow sound, her Country credentials take her back to the Wembley Festivals. Her album “Down Country Roads” features 17 well known Country standards, from “Country Roads” and “Snowbird” to John Denver’s “Follow Me” and Mickey Newbury’s “American Trilogy”. She does a fair job on the songs.

Finally, it’s back to the USA, for a stone Country release, from a guy called BOBBY MOUNTAIN. It may seem a strange name, but he appears to well named. This guy is huge. But don’t let that put you off. This Georgia native has delivered a mountain of an album called “Holding On” (BSW). It’s apparently his third release, but the first since 2001. This is real Country music. No artificial Music City ingredients are evident. I especially liked “Country Gold”,”Guitar Song” and the beautiful “Elijay”. But there ain’t no bad tracks here. “Build A Fire” has a good ol’ classic feel to it. “Only Money” has a clever approach to it, with the corny line, “Not worth the paper it’s written on”. Again, they’d never dare use a line like that in corporate Nashville! The album is made that just more special by the harmonies from Emily Rodgers. She and Bobby make beautiful music together.

It’s my pick of the pack for this month!

 



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